Wednesday, May 25, 2011

Happy Birthday STAR WARS

Today is the 34th Anniversary of the U.S. premiere of George Lucas' blockbuster space opera, Star Wars.

Regardless of all the director's compulsive tinkering, retitling, and retconning, the original film - and all of its subsequent merchandising - had a defining effect on this Star Kid, and countless others. Because of Summer camp and a family vacation, I didn't actually get to see Star Wars until late August, but even though I was already a sci-fi nut, and I'd heard all about it from my friends, it still rocked me to the core. I came out of that theater with my head in the stars... and many might argue that I've never come back down.

Coming Attractions: BATTLESTAR GALACTICA (1978) Original ABC Promo


"One week from tonight..." Oh, yeah.

I was 14 years-old when this promo aired, and I can't begin to describe how excited I was. There had never been a sci-fi TV series with this sort of production value, scope, and action before, and this exciting promo - with the late, great Ernie Anderson narrating - really stoked the flames of Star Kid anticipation. ("The dazzling Athena," indeed!)

I know I've been posting a lot of Battlestar Galactica material here recently, but I've been on something of a BG kick of late, re-watching the original series with my wife (who was resistant at first, but I think she's warming to it now) and reading the first few Richard Hatch-Christopher Golden continuation novels from the late 90s. (I'll be writing about those, in some depth, soon.) When I stumbled across this video on one of my many YouTube safaris, I couldn't resist posting it here.

Enjoy!

BUCK ROGERS (1979) Lobby Cards

Here's a handful of lobby cards distributed to cinemas by Universal for the theatrical release of 1979's Buck Rogers In The 25th Century. I remember seeing this on the big screen, and still can't figure out how I got my mom to take me. I must have done something right - for a change - and going to see Buck Rogers was my reward.

Tuesday, May 24, 2011

THE BIONIC WOMAN Season 2 (1977) In The House

Picked up The Bionic Woman Season 2 DVDs last week. Despite widespread Internet complaints about the audio on some episodes, I haven't noticed anything particularly onerous, or, for that matter, unusual, and I'm more than halfway through the season. Some episodes do not sound "crystal clear," but as this is a 35+ years old show from the 70s Universal TV factory, that's to be expected. Too many "reviewers" online today are young tech-heads with no sense of context or perspective; complaining about muffled audio on a 70s TV show is like complaining that a 30's B-movie is in black & white.

As for the shows themselves, this is the season that opened with an uproarious, glorious Six Million Dollar Man crossover, "The Return of Bigfoot" (guest starring John Saxon!) and contained the ultimate (literally, as it was the last) Six Million Dollar Man-Bionic Woman crossover epic, "Kill Oscar," which also introduced the fan favorite fembots. In between, we have Jaime posing as a female wrestler, a policewoman, and a nun, and trading darkly humorous quips with Vincent Price. I'll be posting a full review shortly here and at my DVD Late Show site. Stay tuned.

Monday, May 23, 2011

Space: 1970 Mythbusting

Since I started this blog back in November of 2009, I've received a number of e-mails and comments here and on the Facebook page that contain some misinformation about the 70s sci-fi movies and television shows we all love so much. In many cases, these are clearly just made-up rumors, probably originating in schoolyards thirty years ago. In others, they are perpetuations of errors originally published in fanzines or on websites.

In most cases, these "myths" can be disproven with minimum effort. And as long as that's the case, I'll be happy to disprove them! Here are a few that have actually come up more than once.


MYTH: The Ark vehicle from Filmation's Ark II television series was the repainted and modified Landmaster from the feature film Damnation Alley.

FACTS: I've encountered this myth in the comments section here, a couple of message boards, and at least one fansite. Here are the facts: Filmation's Ark II aired in the Fall of 1976 and was shot that Summer at various locations, including the Fox Ranch. The Ark vehicle was manufactured by the Brubaker Group and built on the chassis of a dump truck. The body was made up of fiberglass sections over a welded steel frame. Some of these sections - including the "nose," were recycled by Filmation to build the full-scale Seeker spaceship for their subsequent show, Space Academy. The vehicle was an empty shell, but did have a functioning ramp in the rear for the small, "Roamer" automobile - which was a modified "Brubaker Box" kit car, built on a Volkswagen bus chassis.

Damnation Alley was released to theaters in October, 1977, a full year after Ark II's debut. The Landmaster was built - at a reported $300,000-$350,000 - by famous custom cars man Dean Jeffries' company, which also built the vehicles for Death Race 2000 and the Logan's Run television series. The Landmaster, with its distinctive, "tri-star" 12-wheel configuration, was a functional (and road-legal) "truck." Although it did not appear on Ark II (which would have required time travel), it did appear in various other TV shows and movies, including Get A Life, Hybrid, and A.P.E.X.

And if none of that convinces you... a quick look at the two vehicles side-by-side above will clearly show that aside from being big, they don't look very similar at all.


MYTH: Here's one about the Man From Atlantis television show - and subsequent comic book - I've heard more than once, most recently over on the Space: 1970 Facebook page, from reader Alex Mohalek:
Universal didn't want to pay Marvel Comics for the rights to use "Prince Namor, The Sub-Mariner," so they made up their own undersea hero, as it was easier to have Patrick Duffy portray one water-breathing Atlantean instead of creating costumes, sets, special effects, to show an entire race of blue-skinned water-breathers. When Marvel  heard of this, their legal department threatened to sue Universal, but that plan was nixed as Marvel and Universal already had joint ventures with the Spider-Man and Incredible Hulk television series, as well as failed pilots for Captain America and Doctor Strange. So, a deal was hammered out where Marvel would produced the comic based on the situations and characters in the series.
FACTS: Now, I cannot say for certain whether Marvel ever considered suing over the Man From Atlantis show. Many companies feel that copyrights and trademarks need to be defended aggressively against any perceived infringement, even when there's not really all that much similarity. Mark Harris (Duffy's character on Man From Atlantis) didn't have pointed ears or winged ankles, and as there were other water-breathing superheroes around with Atlantean connections, I think it would have been difficult to prove any specific inspiration from Marvel's character. (In my opinion, the Mark Harris character more closely resembles Aquaman than Namor.)

But the story doesn't hold water (!) for one major reason - Man from Atlantis wasn't produced by Universal. It was independently produced by the Solow Production Company for NBC. My guess is that Marvel licensed the property for comics for the same reasons that they licensed Star Wars, Logan's Run, Godzilla and the Shogun Warriors - it seemed like something kids would like!


MYTH: Much like the Ark II/Damnation Alley item above, another frequently stated fan "myth" also involves alleged recycling of an important prop - in this case, the frequently-made allegation that the Canadian sci-fi series The Starlost used special effects genius Doug Trumbull's Valley Forge miniature from Silent Running as the basis for the Earthship Ark model.

FACTS: It's very easy to understand why people would believe this. Doug Trumbull (2001, CE3K) was initially supposed to supervise the effects work for The Starlost and was credited as a producer for the entire run of the series. He also appeared in a promotional film for the show with star Kier Dullea, and that promo film did use stock shots from Silent Running to show potential programmers what The Starlost's effects were going to look like. Plus, both the Valley Forge and the Earthship Ark feature large, geodesic domes prominently in their designs.

But... Trumbull was already off the show by the time production began in Canada, and while he may have been involved in the initial design of the Earthship Ark, as far as I can determine, he was not present when it was built and did not supervise its photography. The shapes of the two ships are significantly different, and the Starlost vessel has many, many interconnected domes while the Silent Running ship only had six (although several identical ships were seen in the film, only one model was actually built). The Valley Forge model was about 26 feet long, while the Ark was roughly half that length. Photos found online also show the detailing of the domes from Silent Running (left) and The Starlost (right), and the Ark model seems significantly less detailed (and smaller in scale) than the Valley Forge.


Now, that's just from observation. I cannot definitively state that there was absolutely no reuse of parts, but it sure seems unlikely. Undoubtedly the Valley Forge design influenced that of the Earthship Ark, but they were completely different models. Stock footage of the Silent Running model did show up on episodes of Battlestar Galactica as the fleet's "Agro-ship," but by that point, the original effects miniature no longer existed.

Whew. That required more detective work (and Googling) than I anticipated. Of course, it is possible that I may be in error myself with some of my deductions, and I'll happily correct any mistakes, if I receive credible information otherwise. Still, I think I'm right. Anyway, I may do more essays like this in the future. If you have suggestions, post them in the comments section.

Sunday, May 22, 2011

STAR TREK Animated PSA


This is a genuine YouTube rarity: a Star Trek public service announcement produced by Filmation Studios for the Keep America Beautiful anti-pollution campaign, from the early 1970s. Featuring the voices of William Shatner, Leonard Nimoy and George Takei.

I remember seeing this when I was a kid!

Friday, May 20, 2011

"Building Boba"

My friend Nate Piekos, graphic designer and comic book letterer extraordinaire, has just started building his own Boba Fett armor and is chronicling the process on a new blog, Building Boba. Check it out!

Nate is an extraordinarily talented (and disciplined!) guy. His comic book fonts (Blambot) are fantastic, professional and affordable, his fantasy webcomic, Atland, is well-written, addictive and beautifully cartooned... and that's just scratching the surface of Nate's seemingly inexhaustible talents.

UFO (2011?) Teaser Poster

While I'm increasingly skeptical that the proposed feature film remake of Gerry Anderson's UFO television series is ever going to get off the ground, I do like this teaser poster design. I'm not entirely clear on whether it's "official" or fan-made, but it's a nice update of the classic Interceptor design, and the SHADO-wy composition at least suggests that the intended tone of the film is/was appropriately serious.

MAN FROM ATLANTIS (1977) Article

From the pages of Marvel Comics' Man From Atlantis #1, here's a "preview" of the series "Second Season" - as the show was originally a series of  2hr and 90-minute TV movies, this article counts its hour-long format as the show's second season. Makes sense to me. Click on the images for a larger view.

Tuesday, May 17, 2011

BATTLESTAR GALACTICA (1978) Theatrical Posters

As we all know, the pilot film for Galactica was released both domestically and in foreign markets as a theatrical feature film, augmented with Universal's patented "Sensurround" audio process. Here's a triptych of one-sheets for that release.

I especially like the striking Jack Gaughan (based on Ralph McQuarrie production art) teaser poster at top. The second is the familiar Robert Tanenbaum one-sheet, while the Japanese version appears to use both McQuarrie and Tanenbaum artwork.

Monday, May 16, 2011

ALIEN Blues

Last week, 20th Century Fox released the four films in their core Alien franchise as individual Blu-ray discs. Previously, they were only available as a "Quadrilogy" boxed set. I thought about buying that set, but it was damned expensive, and frankly, it's only the first two films in the series that I really like. I don't care for Alien 3 at all and I've only seen Alien Resurrection once. It didn't impress me much at the time, but one of these days, I'll probably give it another chance.

My wife and I watched both Alien and Aliens (which, since it was released in 1986, is a bit beyond the purview of this blog) on Saturday night, and I was very impressed with 20th Century Fox's efforts on the restoration and remastering of the films. The HD transfers are nearly flawless, and the audio was great (still not quite as full and rich as my old laserdiscs, though). These Blu-ray editions are, by far, the best these movies have ever looked on home video; in Alien, especially, we were noticing numerous visual elements we'd never seen before throughout the film.

I was also impressed that, like their Planet of the Apes Blu-rays, Fox included the alternate cuts of the films on the discs, instead of releasing them - and charging for them - separately. I hadn't seen Ridley Scott's "Director's Cut" of Alien before, and it was cool to finally see a major scene that I remembered from Alan Dean Foster's novelization re-integrated into the film. I know that the "Quadrilogy" box included a lot of exclusive bonus features that I would probably enjoy, but I'm very happy with the discs I bought - especially since our local Best Buy had them marked at only $15 each!

Wednesday, May 11, 2011

Captain's bLog: 0511.11

  It's great to finally have definitive release information on the Battle Beyond the Stars and Star Wars Blu-rays. Like most of you, I'm greatly disappointed that George Lucas is choosing not to include the original theatrical cuts of the original trilogy in the set - with Blu-ray's seamless branching abilities, it wouldn't be that difficult, but as noted over on the Space: 1970 Facebook page by one angry fan, George doesn't seem to have much regard for the wishes of first-generation Star Wars loyalists, and that's a shame.

I'll probably try and get the set at a discount, if I can. The extensive extras - particularly the inclusion of those vintage TV documentaries - are quite tempting. And I don't hate the Special Editions - in fact, I actually rather like The Empire Strikes Back SE (I think Cloud City is much cooler looking with windows!), but it is frustrating. I'll be hanging onto my Star Wars Definitive Collection laserdiscs, I guess. They still look pretty good on my HD TV, and they definitely sound better the DVDs.

On the other hand, the Battle Beyond The Stars Blu-ray sounds like a fantastic package, porting over all the extras from the out-of-print New Horizons DVD plus some new bonus material. If the picture and sound quality of the disc is as good as Shout! Factory's other Roger Corman Blu-rays, I should be a very happy birthday boy come July.

Now, if Disney would just get to work on a high-definition restoration/remastering of The Black Hole....

   The response to my "Who Goes There" post was informative and encouraging, and I appreciate everyone who took a moment to introduce themselves in the comments. It's cool to meet so many people who share similar experiences and interests, and appreciate what a labor of love this blog is.

I noticed that a large number of you are from the UK, which surprised me a bit. I don't think there's any deep meaning in it, of course, but it's interesting.

  Stats: the Space: 1970 Facebook page is now up to around 580 (give or take a couple; it keeps changing) "Likes" and we now have 259 Followers here on Blogger. The Alliance is growing, Star Kids....

  Coming Soon: a new "Favorite Episodes" post, a review/commentary of the final entry in the "PAX Trilogy," Strange New World, a new Reader's Poll, and the first Space: 1970 "Top Ten" list. Why not? All the cool blogs do it, right? And who knows? Maybe the long-promised Omega Man review will pop up. Anything's possible.

  Shameless Self Promotion Dept: Remember, I also post regular B-movie and genre TV reviews at my DVD Late Show site, and right now, I'm even running a free DVD Giveaway. Check the site for details.

Anyone interested in my non-70's sci-fi projects should check out my homepage, Atomic Pulp. There you'll find previews of my upcoming comic book and fiction writings, a bibliography of my published works, and links to my various pop culture blogs and websites.

   And Don't Forget: Season Two of The Bionic Woman comes out on DVD in the U.S. next week! This season includes a couple of Six Million Dollar Man crossovers, including "The Return of Bigfoot" (how's that for timely?). You can pre-order it here: The Bionic Woman: Season Two