Tuesday, November 13, 2012

Meco's STAR TREK/THE BLACK HOLE Disco Album Art

Just for fun, here's the striking album art for Meco Monardo's 1980 album, Music From Star Trek/Music From The Black Hole - his attempt to recapture the success that his Star Wars and Other Galactic Funk album had a few years before.

Unfortunately, the Jerry Goldsmith and John Barry scores for these films didn't quite lend themselves to disco-ization quite as easily as John Williams' sweeping Star Wars music - though, to be honest, I do rather enjoy Meco's "Star Trek Medley."

"Stand by for warp drive in ten seconds..."

MESSAGE FROM SPACE: GALACTIC WARS (1978) TV Series

I've long been aware that Toei Studios produced a television spin-off of their Message From Space feature film, but as it only aired in Japan, the Philippines and parts of Europe (it's on DVD in France, where it was called San Ku Kai, for instance), I never saw it. From this brief sampling of scenes from the show, it looks like an endearingly low-budget, action-packed continuation, loaded with effects footage from the movie... and it's probably a lot of fun. Even as much as I love the movie, though, I doubt I'll be ordering those French DVDs....

Monday, November 12, 2012

SPACE: 1999 "COSMIC PRINCESS" (1982) Movie Art

Just about a month ago, I posted some ITC Entertainment publicity material for Alien Attack, one of the four TV movies cobbled together from episodes of Gerry Anderson's Space: 1999 for 80s syndication.

Well, here's some of the promotional art (I haven't identified the artist as yet) and other material the company created for their Cosmic Princess telefilm, which was comprised of footage from two of the better Year Two episodes featuring Catherine Schell's character Maya: "The Metamorph" and "Space Warp."  Enjoy!


Saturday, November 10, 2012

Stuff: The Art Of STAR WARS Comics 2013 Calendar

Despite what many might think, I don't really own a whole heck of a lot of Space: 1970 era merchandise.

Most of the toys, model kits, comics and trading cards I had as kid are long gone, and I never really collected action figures back then (man, I wish I had!). I don't buy vintage stuff - outside of old paperback novelizations I'm missing - and I sure don't buy much new stuff other than DVDs/Blu-rays of the films & shows I cover here (who could have guessed back in the 1970s that owning the actual movies & TV shows would be cheaper than the toys, etc.?). I simply don't have the sort of money that modern collectibles usually cost.

But I was in my favorite media store tonight (Bull Moose Music in Waterville, Maine) picking up a couple of this week's Blu-ray releases, when this item caught my eye: The Art Of Star Wars Comics 16-Month 2013 Calendar.

I needed a calendar for my home office, and this one was perfect - 12x17" oversized reproductions of 13 of my favorite Marvel Comics Star Wars comics (my absolute favorite Star Wars continuations of all). Suggested retail price is $15, Bull Moose had it marked at $10, and with my store points, I got it for just $5. Sweet.

The reproductions are nice and sharp, and every illustration pulls me back to when Star Wars wasn't yet an institution (or an industry), and those monthly Marvel issues were almost the only new stuff a fan could enjoy between movies.

If you'd like one, but can't find it locally, here's the Amazon link: (12x17) Star Wars Art of Comics 16-Month 2013 Oversized Wall Calendar

Thursday, November 8, 2012

SHAZAM! (1974) DVD Review

During the Golden Age of comic books, Superman's greatest adversary wasn't Lex Luthor or any of his other colorful rogues gallery, but competing caped crimefighter Captain Marvel, whose four-color mags frequently outsold those of the Man of Steel. By 1974, though, both heroes were owned by DC Comics, and while Superman was on track for silver screen glory a few years later, the World's Mightiest Mortal became a Saturday morning TV star with Filmation's live-action Shazam!, which aired every weekend on CBS.

The opening narration explained the premise: "Chosen from among all others by the immortal elders - Solomon, Hercules, Atlas, Zeus, Achilles, Mercury - Billy Batson and his mentor travel the highways and byways of the land on a never ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the immortals to summon awesome forces at the utterance of a single word! SHAZAM!"

The series ran for three seasons - a significant run for 70s Saturday morning kidvid - accumulating a total of 28 half-hour episodes. Teenage Billy Batson was portrayed by the shaggy-haired Michael Gray, while veteran Hollywood character actor, radio star and cartoon voice artist Les Tremayne was his elderly traveling companion, Mentor. For the first 17 episodes, Billy's super-powered alter ego Captain Marvel was portrayed by the athletic and earnest Jackson Bostwick. Unfortunately (reportedly due to a misunderstanding), he was fired a few episodes into the second season and replaced by stocky John Davey. Both men did creditable work as the soft-spoken superhuman, but as a kid watching the show, I never quite accepted Davey in the role. Bostwick was the "real" Captain Marvel for this 10 year-old.

Most stories started with Billy & Mentor having a picnic on the beach or driving down some Southern California back road when the Elders would telepathically contact Billy and give him some cryptic advice. Fortunately, that advice would begin to make sense once Billy & Mentor encountered the troubled teen of the week. After putting said kid back on the righteous path - which usually involved a last minute super-heroic feat by the good Captain - Billy & Mentor would hit the road again in their custom RV... until the following week.

The show was simplistic, non-violent, moralistic and cheap-looking, with special effects hardly more advanced than those used on the 1950's The Adventures Of Superman television series, but the writing was often pretty serious, and surprisingly, not sugar-coated. In a few episodes, Captain Marvel even battled real criminals like drug dealers, who were exploiting kids for their own purposes.

Production values were pretty minimal. Shot as cheaply as possible on 16mm film and almost entirely outdoors in natural light, the show certainly doesn't look very impressive. But the acting was solid, with the weekly casts filled out by lots of familiar TV actors of the era. Notable guest stars include Danny Bonaduce, Space Academy's Pamelyn Ferdin & Ty Henderson, Lance Kerwin, Butch Patrick, and Jackie Earle Haley. TV's Batman, Adam West, provided the voice of Hercules.

Because Shazam! shared the same network, studio and timeslot as The Secrets Of Isis, the lovely JoAnna Cameron made appearances as the superheroine Isis in three episodes, as well. (And the noble Captain returned the favor, guesting on an episode or two of Isis the same season.)

The new 3-disc, Manufactured-On-Demand Shazam! - The Complete Live Action Series from Warner Archive includes all 28 episodes, presented in their original 4x3, 1.33:1 "standard" TV aspect ratio. Picture quality is generally pretty good for a nearly 40 year-old, low-budget show shot on cheap film stock. Given the source material, the image is grainy and overall a bit soft, with occasionally faded colors. Some episodes look better than others, but there is no significant print damage or other distracting age-related artifacts. Audio is a serviceable Dolby Digital Mono.

The only "bonus feature" is the option to play all episodes with the original 30 second "morals" re-instated into the episodes. These short segments appeared at the end of the episodes and featured Captain Marvel or Billy talking directly to the camera and bluntly explaining the ethical lesson the episode dramatized. As these segments were removed after the original airings, Warner Archive has had to hunt down the footage from various sources (including old videotapes), so picture quality on these is often pretty poor. Still, I'm grateful that they went to the effort and expense to include them, for completion's sake.

If you grew up with the show, there's no denying the nostalgic appeal. The effects and production values may be "cheesy" by today's standards - and the moralistic stories may lack subtlety - but they're highly entertaining. Warner Archive has done a very decent job putting this set together, and if you're a fan of the show, it's definitely worth picking up. Highly recommended.

Buy it now from AmazonShazam! The Complete Live-Action Series

THE SIX MILLION DOLLAR MAN (1974) Rare TV Spot


"What's the worth of a man...?" Narrated by "the voice of ABC," Ernie Anderson, here's an early 30 second promotional spot for arguably the most popular genre show of the Polyester Decade, The Six Million Dollar Man, starring Lee Majors. Enjoy.

Tuesday, November 6, 2012

DARK STAR (1974) Video Art by Thomas Warkentin

To celebrate today's release of John Carpenter/Dan O' Bannon's sci-fi comedy Dark Star on Blu-ray today (review), here's the very cool Thomas Warkentin artwork that graced the VHS and first DVD editions of the film from VCI Entertainment. Enjoy!

DARK STAR (1974) "Thermostellar Edition" Blu-ray Review

This new high-definition Blu-ray of 1974's Dark Star is the third version of the John Carpenter-Dan O'Bannon cult classic I've reviewed from VCI Entertainment, so I won't synopsize the story again (you can check out my last DVD review here).

This new "Thermostellar Edition" Blu-ray version features a newly remastered 1080p HD, widescreen 1.78:1 transfer of the 83 minute "theatrical cut." Originally shot cheaply on 16mm film and then blown up to 35mm for theatrical exhibition, Dark Star has never really looked all that good, and even with the extensive work put into this Blu-ray, it still doesn't look particularly good. But it is a noticeable improvement over all previous home video releases, with brighter, more stable colors and significantly better contrast. The overall image is still frustratingly soft, and it looks like it may have been subjected to overzealous digital scrubbing to eliminate visual "noise."  Faces are unnaturally smooth, and there is very little fine detail or textures evident anywhere in the movie. That all said - it's still the best-looking presentation of the film I've seen, including the one theatrical showing I attended years ago.

The Bonus Features are identical to those included on VCI's previous "Hyperdrive Edition" DVD: an audio commentary track by "super fan" Andrew Gilchrist, an on-camera interview with science fiction author Alan Dean Foster, who discusses the challenge of writing the film's novelization back in the 70s (as well as the rest of his career), a 3D Visual Guide to the Dark Star spaceship, an interview with actor Brian Narelle (Doolittle), text trivia, and the original theatrical trailer.

Missing from this edition is the shorter, 68 minute "student film" version of the film, which means that I'll probably be hanging onto my old DVD just for completion's sake.

If you're a fan of the film and have a Blu-ray set-up, it's worth picking up. Picture and audio quality are better than previous editions, and while the visual quality can't match the HD transfers of its big-budget studio contemporaries (never mind today's digital spectacles), it's probably the best this particular film is likely to look for the forseeable future.

The Dark Star Blu-ray streets today, or you can pick it up for less than twenty bucks from Amazon: Dark Star - Thermostellar Edition (Blu-ray)

Monday, November 5, 2012

Behind-The-Scenes Pix #29: GALACTICA 1980

Direct from the Universal backlot, here's a rare behind-the-scenes look at the full-sized "two-seater" model Colonial Viper mock-up, as seen on the Battlestar Galactica spin-off series, Galactica: 1980, back in, well, 1980.

When I was a kid, I used to fantasize about somehow getting my hands on one of the full-scale Vipers - I still love those ships. They were the "muscle cars" of 70s spaceships....

Sunday, November 4, 2012

GEMINI MAN (1976)

The Gemini Man: Sam Casey (Ben Murphy) is an agent for INTERSECT, a government think-tank and operations center specializing in secret missions. While on a diving assignment, Sam was irradiated by an underwater explosion. The radiation rendered him invisible, but INTERSECT devised a way to control his invisibility, by fitting him with a computerized watch that kept him visible. He could, however, shut it off, and become invisible again, for short periods of time. If he did this for more than 15 minutes in any 24 hour period he would die.

Only two month after the demise of Universal's The Invisible Man, this variation on the same theme debuted on the same network, under the stewardship of the same producers, Harve Bennett and Steven Bochco... so I think it's fair to look at it as a "retooled" version of the same show.

Unlike David McCallum's intellectual (and married) Daniel Westin, Sam Casey was a bell-bottom bluejeans/denim-shirt wearing, hunky "everyman" in the Steve Austin mold, and not tied down by the bounds of matrimony. But that wasn't enough to bring in viewers, and Gemini Man folded quicker than its predecessor, cancelled after airing only five episodes.


Eleven episodes were shot in all, and were shown in syndication (and later on the Sci-Fi Channel), and a couple were edited together into "movies" for TV and home video release (one of these was skewered by the 'bots of MST3K in one of it's later seasons).

I was not a fan of this show... and I haven't seen an episode since the Spring of '76. One of these days, I guess I'll need to revisit it.

Saturday, November 3, 2012

STAR TREK II: THE WRATH OF KHAN (1982) Japanese One-Sheet

"He tasks me. He tasks me and I shall have him! I'll chase him 'round the moons of Nibia and 'round the Antares Maelstrom and 'round Perdition's flames before I give him up"

Phasers flash across the void as the U.S.S. Enterprise and rogue Starfleet vessel U.S.S. Reliant battle for the fate of the universe in this awesome Japanese theatrical poster for Nicholas Meyer's Star Trek II: The Wrath Of Khan! (Still my favorite Trek feature.)

Thanks to Star Kid Scott Weller!

Friday, November 2, 2012

November's Space Babe: Katie Saylor

November's Space Babe is the lovely and mysterious Katie Saylor as the half-alien Liana of the 1977 television series The Fantastic Journey. The character first appeared in the second episode of the short-lived series, "Atlantium," and joined our inter-dimensional castaways Varian (Jared Martin), Scott (Ike Eisenmann) and Fred (Carl Franklin) as they traveled through the various time zones of a mysterious island in the heart of the Bermuda Triangle.

According to the series, her father was Atlantean and her mother was an extraterrestrial from a heavy-gravity world. Liana possessed superhuman physical strength (due to her being born on a higher gravity planet than Earth) and various psionic abilities. She traveled with a pet cat that she could telepathically communicate with, named Sil-El, which often acted as a scout for the adventurers.

There's very little information online about Ms. Saylor. She became gravely ill during the production of The Fantastic Journey and was written out of the final two (and a half) episodes. She appears to have retired from acting at that time. Conflicting information online states that she either passed away in 1991, or is still alive and living a quiet life in California with her husband. Prior to Journey, she appeared in exploitation films like Invasion of The Bee Girls and The Swinging Barmaids.

Wherever she is now - this world or the next - I hope she knows how many of us remember her fondly for her strong, dignified portrayal of the heroic Liana.