The Starlost through the pages of Starlog magazine in the mid-70's. I learned there that it had been a short-lived 1973 television series created by Harlan Ellison, who, dissatisfied by the final product, had chosen to use his pen name of "Cordwainer Bird" in the credits.
I also knew that Keir Dullea, of 2001: A Space Odyssey, played the lead role of Devon, a young Amish man who discovers that his small world of Cypress Corners is actually an artificial biosphere, one of many that make up the Earthship Ark – a vast multi-generation spacecraft. Venturing beyond his own artificial world, he discovers that a cataclysmic accident several hundred years before killed the command crew of the Ark, and it is now crippled and off-course, heading directly toward a star. With his friends Rachel (Gay Rowan) and Garth (Robin Ward), Devon searches the Ark for some way to correct the ship's course, or for someone knowledgeable enough save it and the millions of people isolated in their own biospheres – most of whom are unaware that they are on a spaceship at all.
And that was about it.
In the late 80's I came across a paperback copy of Phoenix Without Ashes, Edward Bryant's novelization of Ellison's original pilot script for the series. The introduction to the book – by Ellison himself – detailed the series' troubled production and the reasons for the acclaimed author's unhappiness with the show. The novel was pretty good, and piqued my interest, but as the series had only run for 16 episodes and was virtually unseen in syndication, I figured I'd never see the show. Which disappointed me, because I love 70's sci-fi television, no matter how bad its reputation.
VCI Entertainment have done just that. All 16 episodes of the Canadian-produced show are now available on a compact, 4-disc set.
Produced on a very small budget, the show was shot on videotape and featured modular sets that could be disassembled and reassembled in different configurations to suggest new sections of the vast Earthship Ark. There was also extensive use of chromakey (bluescreen), which enabled the production team to drop the actors "into" miniature sets, which saved even more money. Too bad most of the miniatures were pretty unconvincing.
The videotape filming, sets and costumes give the series a look similar to Doctor Who episodes of the same vintage, but The Starlost doesn't have the same charismatic characters or ambitious storylines and unbridled imagination of Who. In fact, it's pretty mundane all around.
The stories started out okay – if overly cliched – but soon devolved into silliness, with the sort of ludicrous faux science that was common in the era's sci-fi TV. And that's a real shame since some decent guest stars appeared on the show, including familiar genre faces John Colicos (the original Battlestar Galactica, Star Trek), Barry Morse (Space: 1999), Simon Oakland (Kolchak: The Night Stalker), and Walter Koenig (Star Trek, Babylon 5).
Nonetheless, I can completely understand why Ellison disowned the show, and why noted science fiction writer Ben Bova was embarrassed to be credited as the series' "science advisor" – he was completely ignored by the producers, but they kept his name in the credits for the publicity value. Same with special effects ace Douglas Trumbull (2001, Silent Running, Close Encounters of the Third Kind), who quit the show before the first episode was shot, but remained credited as a producer for the entire run.
The Starlost is a classic missed opportunity – with Ellison, Bova and Trumbull aboard, it should have been something remarkable, and revolutionary. Unfortunately, the realities of independent television production, and the bad judgment of the producers resulted instead in an artistic and commercial misfire, interesting only to die hard fans of 70's genre television like myself.
If you consider yourself such a fan, then VCI's set is worth checking out. Buy it from Amazon here: The Starlost - The Complete Series