According to a report at DVD Drive-In, two of the announced titles in Shout! Factory's new arrangement with legendary exploitation film producer Roger Corman are new DVD and Blu-Ray special editions of Starcrash and Battle Beyond The Stars - both of which are due in the U.S. on September 7, 2010.
Since these are authorized editions and Shout! will have access to the Corman film library - and, presumably, master prints and/or negatives - I expect that these will be high quality transfers. Also, Shout! has a very good reputation for really going the extra mile on their releases both technically and in terms of supplements.
Both titles have been released before (there was an authorized version of Battle from Corman's New Horizons video, with a decent array of extras but a non-anamorphic, fairly-beat-up looking transfer, and various bootleg versions of Starcrash are floating around out there from different outfits, none of which look very good) but I expect these editions to blow those away.
I'll keep people posted as more information becomes available.
Sunday, January 31, 2010
Monday, January 25, 2010
At Last! Beyond the Movie! Beyond the Galaxy!
I was thinking about Marvel's Star Wars comics from the 70's today, and remembering how much fun they were. Of course, this was before Lucasfilm really had their vampiric death grip on the licensing, sucking out all the joy and adventure that Star Wars should have and replacing it with an obsessive, convoluted and restrictive continuity. And though these books are kinda sneered at by today's Star Wars fans for being cheesy (this issue kicked off a six-part take-off of The Magnificent Seven* with one of the mercs being a 6' green space rabbit), I always thought cheesiness was part of the franchise's charm ("Luke Skywalker?").
Anyway, I have very fond memories of buying this series – and this issue – at the local corner store. Writers Roy Thomas and (especially) the late Archie Goodwin, spun some sublimely sweet space opera back in the day, and I still love 'em. Fortunately Dark Horse Comics reprinted the entire Marvel run in some nice trade paperbacks, so I can read them over and over again.
* I wonder if this is was where Roger Corman and John Sayles got the idea for their 1980 Star Wars rip-off, Battle Beyond The Stars, which also used The Magnificent Seven as its story template?
Anyway, I have very fond memories of buying this series – and this issue – at the local corner store. Writers Roy Thomas and (especially) the late Archie Goodwin, spun some sublimely sweet space opera back in the day, and I still love 'em. Fortunately Dark Horse Comics reprinted the entire Marvel run in some nice trade paperbacks, so I can read them over and over again.
* I wonder if this is was where Roger Corman and John Sayles got the idea for their 1980 Star Wars rip-off, Battle Beyond The Stars, which also used The Magnificent Seven as its story template?
Thursday, January 21, 2010
Run Logan, Run
Starting in February, I'm going to start posting episode reviews of the Logan's Run television series from 1977. I have roughly two-thirds of the series here from old VHS recordings, and will be watching and writing up my thoughts on those shows here as a regular feature.
When I was a kid, I was a big fan of the TV series and the movie, which I have very clear memories of watching when it aired on network television. I even started to write my own "novelization" of the film, which I abandoned only after I found out there already was a book. Of course, the book was so different from the movie that I was both confused and a little angry.
Nowadays, I have great admiration for the trilogy of novels by William F. Nolan (who I've had the great fortune to correspond with in the past) and George Clayton Johnson (co-writer of the original novel).
Anyway, while I dread the prospect of a new Hollywood remake (which seems to be constantly under discussion), at least that would mean there would be a good chance of getting the TV series released on disc. And I'd like that.
Look for my Logan's Run reviews to begin in a couple weeks.
When I was a kid, I was a big fan of the TV series and the movie, which I have very clear memories of watching when it aired on network television. I even started to write my own "novelization" of the film, which I abandoned only after I found out there already was a book. Of course, the book was so different from the movie that I was both confused and a little angry.
Nowadays, I have great admiration for the trilogy of novels by William F. Nolan (who I've had the great fortune to correspond with in the past) and George Clayton Johnson (co-writer of the original novel).
Anyway, while I dread the prospect of a new Hollywood remake (which seems to be constantly under discussion), at least that would mean there would be a good chance of getting the TV series released on disc. And I'd like that.
Look for my Logan's Run reviews to begin in a couple weeks.
Monday, January 18, 2010
BUCK ROGERS TV Guide Advertisements
From my own collection, here are some of the ads that NBC whipped up for TV Guide magazine to promote Buck Rogers In The 25th Century back in 1979. I had forgotten that the network had aired a re-edited version of "Plot To Kill A City" as a 90 minute movie (Death Squad 2500) and that "Flight Of The War Witch" was originally broadcast as a two-hour special.
Click on the images above for a larger view. I've got a bunch of other TV Guide ads from the era, as well, and will be posting them here periodically. Enjoy the blast from the past!
Click on the images above for a larger view. I've got a bunch of other TV Guide ads from the era, as well, and will be posting them here periodically. Enjoy the blast from the past!
Saturday, January 16, 2010
Space Babes: Patricia & Cyb Barnstable
Patricia and Cyb Barnstable as Betty 1 and Betty 2 on Quark. This month's Space Babes are the former Doublemint twins who played the ship's shapely pilot and equally shapely copilot, Betty, on the short-lived but much-loved sci-fi spoof created by Buck Henry in 1977. One Betty was real, the other her clone, but each claimed to be the original, and since they were identical....
The lovely Barnstable twins have very few film or television acting credits outside of commercials, talk shows and such, but these days, the former models are founders of a charity that raises money for diabetes research.
Starting this month, Space Babes will be a monthly feature - at one a week, I was burning through the decade's interstellar sirens far too quickly.
The lovely Barnstable twins have very few film or television acting credits outside of commercials, talk shows and such, but these days, the former models are founders of a charity that raises money for diabetes research.
Starting this month, Space Babes will be a monthly feature - at one a week, I was burning through the decade's interstellar sirens far too quickly.
Thursday, January 14, 2010
Coming Attractions: SATURN 3 Theatrical Trailer
A decidedly guilty pleasure I'll be commenting on one of these days....
Tuesday, January 12, 2010
FLASH GORDON (1979)
The success of Star Wars in 1977, along with George Lucas’ admitted indebtedness to 30’s serials and comic strips, inevitably led to other entrepreneurial filmmakers turning to those Depression-era sci-fi classics and characters, and reimagining them (though that noxious term hadn’t been invented yet) for the 1970s. Among these was another Filmation Saturday morning favorite, the animated Flash Gordon series from 1979-80.
When the rogue planet Mongo enters our solar system on a collision course for Earth, scientific genius Dr. Hans Zarkov, athlete Flash Gordon, and his girlfriend Dale Arden blast off in a rocketship of the doctor’s invention, hoping to find a way to turn the alien planet from its course. Crash landing on its surface, they find Mongo inhabited by a vast array of sentient creatures, all under the rule of the tyrannical Ming the Merciless. It soon becomes clear to the Earthmen (and Earthwoman) that the only hope of saving Earth lies in uniting the distrustful, ever-warring races of Mongo against the sinister space tyrant.
I have to say, that in my book, this show (first season only) is right up there with Jonny Quest, Thundarr the Barbarian and Batman the Animated Series among the great animated adventure shows. By Filmation standards, the animation is rather lush, with lots of rotoscoping and elaborate backgrounds and character designs. Being a limited-budget, limited-animation product of the Seventies, there’s the usual relentless recycling of footage and repetitive music cues, but it is executed with a level of care and ingenuity that is rare in cartoon shows of this vintage.
In the first season episodes, the writing is not dumbed down for kids and follows the continuity of the original Alex Raymond comic strips quite faithfully. Characters are actually killed (disintegrated) on-screen, and the female characters are designed to be blatantly sexy. Ming’s got his harem and King Vultan’s got dancing slave girls… there’s no way they would have been able to get away with that even a few years later in the 80s.
The first season is presented as an ongoing serial with cliffhangers, modeled after the classic Flash theatrical features from the 30s. The second season, however, is made up of 16 fifteen-minute segments that are, unfortunately, aimed squarely at extremely young children, with simpler, sillier stories and the addition to the cast of a pink baby dragon called Gremlin. The second season episodes are hardly worth watching, as the stories are too short to be very interesting and so much footage is recycled from Season 1 – and sloppily so, I might add – that the viewing experience is hollow.
Once again, BCI (under their Ink and Paint label) and animation expert Andy Mangels have put together a very nice DVD set. While the episodes definitely show their age, with a considerable amount of visible dirt and debris (inherent in this kind of animation) and somewhat faded colors, there are no noticeable digital artifacts or compression problems, and the audio is sharp and clear. The picture quality’s not perfect, but better than I expected after nearly 30 years.
There are some great extras included – a 20 minute documentary wherein Filmation head honcho Lou Scheimer and other studio staffers reminisce about the show and the TV feature that preceded it (production-wise; it had its sole airing after the series). There are character model sheets, some storyboards, the series bible and some scripts on DVD-ROM, and even the entire first episode of the 1980’s syndicated series Defenders of the Earth. This 80’s series (also released by BCI on DVD) also starred Flash Gordon, along with other characters owned by the Hearst Syndicate: The Phantom, Mandrake the Magician, his sidekick Lothar and their teenage children, all teaming up to battle Ming. The premise was okay, but looked and sounded like every other show that Marvel Productions made in the 80s: bland. Also inserted into the set are a fold out episode guide and two collectible art cards featuring beautiful illustrations by comic book artists Frank Cho and Gene Ha.
Unfortunately, the DVD set does not include the prime time TV movie that preceded the series, Flash Gordon: The Greatest Adventure of All. The feature-length movie was made by the same team, but was somewhat more adult in tone and story; whereas the TV series began with Flash and company landing on Mongo, the film begins in 1939 Warsaw under attack by the Nazis.
Flash escapes from the besieged city, and we follow him as he meets Dale (above) and Zarkov. Some animation from the feature was recycled and used in the subsequent Saturday morning series, but not nearly as much as people seem to think. The feature aired only once, a couple years after the series, and – inexcusably – has never been made available legally on home video, and that’s too bad, because it is a superior animated adventure.
Overall, I feel that the first season of the Filmation Flash Gordon is one of the best adaptations of the character to film (right up there with the Buster Crabbe serials of the Thirties), and one of the very best animated adventure series ever. But then, it’s pretty obvious from my other posts that I have an extremely strong bias toward the sci-fi efforts of the Filmation studio.
In 1980, Italian film mogul Dino deLaurentis released a live-action Flash Gordon feature film. I’m certain I’ll get around to writing about that movie soon.
When the rogue planet Mongo enters our solar system on a collision course for Earth, scientific genius Dr. Hans Zarkov, athlete Flash Gordon, and his girlfriend Dale Arden blast off in a rocketship of the doctor’s invention, hoping to find a way to turn the alien planet from its course. Crash landing on its surface, they find Mongo inhabited by a vast array of sentient creatures, all under the rule of the tyrannical Ming the Merciless. It soon becomes clear to the Earthmen (and Earthwoman) that the only hope of saving Earth lies in uniting the distrustful, ever-warring races of Mongo against the sinister space tyrant.
I have to say, that in my book, this show (first season only) is right up there with Jonny Quest, Thundarr the Barbarian and Batman the Animated Series among the great animated adventure shows. By Filmation standards, the animation is rather lush, with lots of rotoscoping and elaborate backgrounds and character designs. Being a limited-budget, limited-animation product of the Seventies, there’s the usual relentless recycling of footage and repetitive music cues, but it is executed with a level of care and ingenuity that is rare in cartoon shows of this vintage.
In the first season episodes, the writing is not dumbed down for kids and follows the continuity of the original Alex Raymond comic strips quite faithfully. Characters are actually killed (disintegrated) on-screen, and the female characters are designed to be blatantly sexy. Ming’s got his harem and King Vultan’s got dancing slave girls… there’s no way they would have been able to get away with that even a few years later in the 80s.
The first season is presented as an ongoing serial with cliffhangers, modeled after the classic Flash theatrical features from the 30s. The second season, however, is made up of 16 fifteen-minute segments that are, unfortunately, aimed squarely at extremely young children, with simpler, sillier stories and the addition to the cast of a pink baby dragon called Gremlin. The second season episodes are hardly worth watching, as the stories are too short to be very interesting and so much footage is recycled from Season 1 – and sloppily so, I might add – that the viewing experience is hollow.
Once again, BCI (under their Ink and Paint label) and animation expert Andy Mangels have put together a very nice DVD set. While the episodes definitely show their age, with a considerable amount of visible dirt and debris (inherent in this kind of animation) and somewhat faded colors, there are no noticeable digital artifacts or compression problems, and the audio is sharp and clear. The picture quality’s not perfect, but better than I expected after nearly 30 years.
There are some great extras included – a 20 minute documentary wherein Filmation head honcho Lou Scheimer and other studio staffers reminisce about the show and the TV feature that preceded it (production-wise; it had its sole airing after the series). There are character model sheets, some storyboards, the series bible and some scripts on DVD-ROM, and even the entire first episode of the 1980’s syndicated series Defenders of the Earth. This 80’s series (also released by BCI on DVD) also starred Flash Gordon, along with other characters owned by the Hearst Syndicate: The Phantom, Mandrake the Magician, his sidekick Lothar and their teenage children, all teaming up to battle Ming. The premise was okay, but looked and sounded like every other show that Marvel Productions made in the 80s: bland. Also inserted into the set are a fold out episode guide and two collectible art cards featuring beautiful illustrations by comic book artists Frank Cho and Gene Ha.
Unfortunately, the DVD set does not include the prime time TV movie that preceded the series, Flash Gordon: The Greatest Adventure of All. The feature-length movie was made by the same team, but was somewhat more adult in tone and story; whereas the TV series began with Flash and company landing on Mongo, the film begins in 1939 Warsaw under attack by the Nazis.
Flash escapes from the besieged city, and we follow him as he meets Dale (above) and Zarkov. Some animation from the feature was recycled and used in the subsequent Saturday morning series, but not nearly as much as people seem to think. The feature aired only once, a couple years after the series, and – inexcusably – has never been made available legally on home video, and that’s too bad, because it is a superior animated adventure.
Overall, I feel that the first season of the Filmation Flash Gordon is one of the best adaptations of the character to film (right up there with the Buster Crabbe serials of the Thirties), and one of the very best animated adventure series ever. But then, it’s pretty obvious from my other posts that I have an extremely strong bias toward the sci-fi efforts of the Filmation studio.
In 1980, Italian film mogul Dino deLaurentis released a live-action Flash Gordon feature film. I’m certain I’ll get around to writing about that movie soon.
Saturday, January 9, 2010
Maximilian Welcomes You to the... FUTURE!
Yesterday more than TWENTY new people became Followers of this blog! I'm guessing that someone somewhere gave me a plug, and I'd be very curious to find out who, so I can thank them!
Anyway, all you new readers, welcome to Space: 1970, one aging geek's nostalgic look at a much-maligned decade of genre entertainment. I appreciate your patronage, and hope you'll stick around. I've only barely begun to delve into the subject, and knowing that folks are reading along is very encouraging.
More cool stuff soon - in the meantime, enjoy the archives!
Anyway, all you new readers, welcome to Space: 1970, one aging geek's nostalgic look at a much-maligned decade of genre entertainment. I appreciate your patronage, and hope you'll stick around. I've only barely begun to delve into the subject, and knowing that folks are reading along is very encouraging.
More cool stuff soon - in the meantime, enjoy the archives!
Friday, January 8, 2010
BATTLE BEYOND THE STARS (1980) Theatrical Posters
Been very busy this first week of 2010 (The Year we Make Contact) with other projects, but regular posting will resume shortly. In the meantime, here's another vintage poster gallery from 1980's Battle Beyond The Stars (including one foreign sheet - German? - that shows the title as Sador - the name of John Saxon's villain!)
I really love the painted U.S. one-sheet. Seriously, weren't movie posters so much cooler before Photoshop? (Anyone know the name of the artist?) Enjoy!
(I just noticed that unlike the U.S. poster, the International art doesn't feature Nell, cinema's only spaceship with breasts. Hmmmm....)
I really love the painted U.S. one-sheet. Seriously, weren't movie posters so much cooler before Photoshop? (Anyone know the name of the artist?) Enjoy!
(I just noticed that unlike the U.S. poster, the International art doesn't feature Nell, cinema's only spaceship with breasts. Hmmmm....)
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