A number of talented comics illustrators worked on the development of Ruby-Spears' 1980 sci-fantasy animated series, Thundarr The Barbarian. Among these were the legendary Jack Kirby and animation veteran Alex Toth. Toth, who had designed such quintessential animated action-adventure characters as Space Ghost and The Herculoids, was responsible for the design of post-Apocalyptic heroes Thundarr, Princess Ariel and Ookla the Mok.
Along with his design duties, the production company also had Toth draw up some Thundarr presentation pieces for the network, including this dynamic action artwork (which was probably originally in color - if anyone has a color scan, please send it along!). It's really too bad the limited budgets of network animation in those days didn't allow for this sort of dynamism on-screen!
Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts
Tuesday, April 8, 2014
Tuesday, October 1, 2013
SPACE STARS (1981) DVD Art Revealed
As noted back in July, the manufacture-on-demand wing of Warner Home Video, Warner Archive, plans to bring the 1981 Hanna-Barbara Saturday-morning animated series, Space Stars, to DVD this Fall. The DVD key art above has recently appeared online, so I thought I'd share it here.
With this show, Hanna-Barbara and NBC jumped on the post-Star Wars boom by reviving and repackaging the studio's 60s outer space heroes Space Ghost and The Herculoids (mixing both classic episodes and newly-made installments) with two other space-themed cartoons - The Teen Force and Astro (from The Jetsons) & The Space Mutts - for an hour-long programming block.
Hmmm. I wonder why The Galaxy Trio didn't make the roster?
UPDATE: According to TV Shows On DVD, Space Stars will be released next Tuesday, on October 8th. Warner Archive is accepting pre-orders on the set now through their site. Price is $29.95.
With this show, Hanna-Barbara and NBC jumped on the post-Star Wars boom by reviving and repackaging the studio's 60s outer space heroes Space Ghost and The Herculoids (mixing both classic episodes and newly-made installments) with two other space-themed cartoons - The Teen Force and Astro (from The Jetsons) & The Space Mutts - for an hour-long programming block.
Hmmm. I wonder why The Galaxy Trio didn't make the roster?
UPDATE: According to TV Shows On DVD, Space Stars will be released next Tuesday, on October 8th. Warner Archive is accepting pre-orders on the set now through their site. Price is $29.95.
Thursday, July 25, 2013
News: Hanna-Barbera's SPACE STARS (1981) Coming To DVD From Warner Archive
Well, it's a good thing there's been a lot of home video news lately, as I've been too busy with other projects to do much substantial posting here on the blog. Among many other announcements at San Diego Comic Con last week, apparently the folks at Warner Archive teased an upcoming release for the 1981 Saturday morning cartoon series, Space Stars.
As I wrote a while back: with Space Stars, Hanna-Barbara jumped on the post-Star Wars boom by reviving and repackaging their 60s outer space heroes Space Ghost and The Herculoids (mixing both classic episodes and newly-made installments) with two other space-themed cartoons - The Teen Force and Astro (from The Jetsons) & The Space Mutts - for an hour-long, themed programming block.
I don't believe an official release date has been announced yet, but I'll try and stay on top of it and let you all know as soon as I find out.
As I wrote a while back: with Space Stars, Hanna-Barbara jumped on the post-Star Wars boom by reviving and repackaging their 60s outer space heroes Space Ghost and The Herculoids (mixing both classic episodes and newly-made installments) with two other space-themed cartoons - The Teen Force and Astro (from The Jetsons) & The Space Mutts - for an hour-long, themed programming block.
I don't believe an official release date has been announced yet, but I'll try and stay on top of it and let you all know as soon as I find out.
Saturday, December 15, 2012
Saturday Morning Cartoons: SPACE STARS (1981)
In 1981, Hanna-Barbara jumped on the post-Star Wars boom by reviving and repackaging their 60s outer space heroes Space Ghost and The Herculoids (mixing both classic episodes and newly-made installments) with two other space-themed cartoons - The Teen Force and Astro (from The Jetsons) & The Space Mutts - for an hour-long programming block called Space Stars.
I really don't remember much about this series - I was getting to the age where I preferred to sleep in on Saturdays, and aside from Thundarr & Blackstar, I wasn't watching many new cartoons then - but I do remember being disappointed that the new Space Ghost shorts featured a re-designed Phantom Cruiser, eschewing the sleek, classic Alex Toth look in favor of something that more closely resembled a Star Wars or Galactica type spaceship.
So pretend it's Saturday morning, September 26, 1981, and enjoy this brief taste of Hanna-Barbara's Space Stars!
Tuesday, December 4, 2012
French BLACKSTAR (1981) Comic Book
Apparently, Filmation's 1981 animated series, Blackstar, had a lot more merchandising than most of their (pre-He-Man) shows - and certainly considerably more stuff than I was aware of. Much of it appears to have been European, with a wide variety of action figures and other toys. As far as I know, there weren't any English language Blackstar comic books, but there was at least one French one, as the scan above illustrates!
I still have a lot of affection for this show, despite those annoying "kid friendly" Trobbits. I think it's pretty much the only American sci-fi television show - cartoon or live action - that actually represented the "sword & planet" subgenre, and I've always dug that kind of story. Sure, it owed a debt to Flash Gordon, but it also owed quite a lot to the interplanetary swashbucklers of Edgar Rice Burroughs and his imitators.
I still have a lot of affection for this show, despite those annoying "kid friendly" Trobbits. I think it's pretty much the only American sci-fi television show - cartoon or live action - that actually represented the "sword & planet" subgenre, and I've always dug that kind of story. Sure, it owed a debt to Flash Gordon, but it also owed quite a lot to the interplanetary swashbucklers of Edgar Rice Burroughs and his imitators.
Tuesday, September 6, 2011
DVD Review: THUNDARR THE BARBARIAN (1980)
"The year, 1994. From out of space, comes a runaway planet, hurtling between the Earth and the moon, unleashing cosmic destruction. Man's civilization is cast in ruin. Two thousand years later, Earth is reborn. A strange new world rises from the old. A world of savagery, super-science, and sorcery. But one man bursts his bonds to fight for justice. With his companions, Ookla the Mok and Princess Ariel, he pits his strength, his courage, and his fabulous Sun Sword, against the forces of evil. He is Thundarr, the Barbarian!"
In my personal pantheon of Saturday Morning cartoons (subcategory: "adventure") few programs rate higher than 1980's sci-fi-fantasy, Thundarr The Barbarian, which ran for two seasons on ABC.
As that awesome introduction quoted above says, Thundarr chronicled the adventures of a brave barbarian warrior (actor Bob Ridgely, who, around the same time, also gave voice to legendary adventure heroes Tarzan and Flash Gordon on their respective Filmation animated series) with a lightsaber-like, flaming magic sword; a smart, sexy and sarcastic Asian princess-cum-sorceress (Nellie Bellflower); and a large, hairy, Wookiee-like anthropoid warrior (Henry Corden) as they roamed the transformed landscape of a post-Apocalyptic Earth, battling a seemingly-endless procession of power-mad, evil techno-wizards and vicious mutant creatures.
What more could anyone ask of a fantasy adventure cartoon?
Produced by Ruby-Spears Productions, and created by veteran comic book scribe Steve Gerber (Man-Thing, Howard the Duck), this action-packed animated fantasy epic featured imaginative (if somewhat formulaic) stories, appealing characters, great voice acting, and character designs by two of the greatest comic book artists to ever wield a pencil. Thundarr and his friends were visualized by the animation veteran Alex Toth (Space Ghost, The Herculoids), while virtually every other character (and vehicle, setting and/or prop) were designed by the legendary Jack Kirby (Captain America, The Fantastic Four, Devil Dinosaur).
While the animation lacks the slick sheen of modern, computer-assisted shows, and is a bit "rough around the edges," it's actually among the best seen on Saturday morning TV at the time, and far more polished than most other Ruby-Spears shows of the same vintage. It's apparent that the studio recognized that they had something good in Thundarr The Barbarian and put some extra care and attention into it.
The Warner Archives 4-disc, manufactured-on-demand DVD-R set includes all 21 episodes from the show's two seasons, presented in their original 1.33:1 "full-frame" aspect ratio, with Dolby Digital 2.0 mono audio. The film elements have not been remastered in any way, and show considerable age-and-neglect-related wear. On some episodes the otherwise bright colors appear faded, and most installments are dusted with specks and other minor damage. Overall, the picture quality is fair-to-good, and, unlike some off-air recordings, the episodes are complete. There are no bonus features included.
For my money, Thundarr The Barbarian is one of the all-time great fantasy adventure cartoons, with solid, smart scripting, fabulous visuals and a classic hero. Sure, I wish that the bean-counters at Warners had green-lit a fully-restored and remastered, mass-market DVD release, but I'm personally grateful to see it on DVD at all, in an authorized and complete form. If you're a fan, buying the set is a no-brainer; even with its faults, it's far superior to any of the old bootlegs floating around the convention circuit. If you're unfamiliar with Thundarr, but love Old School adventure animation, you might want to take a chance and order it - I doubt you'll be disappointed.
BUY: Thundarr The Barbarian (4 Disc)
Saturday, June 4, 2011
Weekend Rerun: BLACKSTAR (1981)
Since it's too nice a weekend to stay inside and write blog posts, here's another rerun of an early Space: 1970 review/article. As usual, it's been slightly edited and updated, and I've added a few more screenshots. Enjoy.

Blackstar (1980-81) was probably the last Filmation cartoon I remember actually getting up early to watch. I was into D&D then, and anything with a sword & sorcery theme caught my interest. Unfortunately, if I recall correctly, it aired in the same timeslot as Ruby-Spears' superior Thundarr The Barbarian on another network, so unless Thundarr was a repeat, I usually opted for the post-Apocalyptic barbarian over the sword-slinging astronaut, John Blackstar.
Loosely inspired by interplanetary romances like Edgar Rice Burroughs’ "John Carter of Mars" pulp stories, Blackstar tells of an American astronaut, who, after passing through a black hole, finds himself stranded on the primitive planet Sagar. The planet is ruled by the evil, Darth Vader-esque Overlord, and opposed by a motley band of freedom fighters, including the sorceress Mara, shape-shifter Klone, and seven pink "trobbits" (according to producer Lou Schiemer, the name was derived from "tree hobbits.) that, with their easily-distinguishable personalities, somewhat resemble Snow White's dwarfs - or pink smurfs. John Blackstar somehow comes into possession of the Starsword (an adventure never related on the series), a mystic blade that can be combined with the Overlord’s Powersword to become the Powerstar – an ultimate weapon that the Overlord desperately covets.
Watching it today as a 40+ adult, I find that Blackstar is actually somewhat better than I remembered. The animation still looks pretty slick and, oddly enough for a Filmation adventure show, uses very little, if any, rotoscoping. The character designs and background paintings are excellent, really selling the alien environment of planet Sagar. The scripts – mostly by animation and sci-fi veterans J. Michael Reeves (Batman - the Animated Series) and Marc Scott Zicree (Sliders) – are fun and fast paced. I still hate the little pink "trobbits," though, and prefer the episodes that play down their child-friendly antics.
My favorite episode is probably "Shipwrecked," written by Reaves, where Blackstar's old fiancee - also an astronaut - follows his ship's trajectory through the black hole to Sagar. Of course, she's captured by the Overlord, who wants her starship's technology. She is rescued by - and reunited with - Blackstar, but is ultimately forced to leave Sagar without him. The best part, though, is that when she emerges from the black hole to her own side of the galaxy, she contacts Earth command and sets them to work preparing an invasion fleet! She wants to go back to Sagar in force and bring her fiance back! Unfortunately, that intriguing plot thread is never revisited during the remainder of the series.
A few years back, before BCI/Eclipse went wherever it is defunct video labels go, they released the complete series on DVD. The full-frame transfers are excellent; the source material on Blackstar looks much better than the prints used on their previous Flash Gordon set, with bright colors and virtually no visible debris or damage. Extras include an informative booklet of liner notes, writer and producer commentaries on two episodes, on-screen interviews with many of the creators of the show, two image galleries, and "The Magic of Filmation" documentary.
In the interviews Scheimer reveals that the character was originally intended to be an African-American (hence, the none-too-subtle name), but the network rejected that idea. In their interviews, head writers Zicree and Reaves acknowledge the show's pulp sci-fi influences and look back fondly on their experiences working on the program.
If you're nostalgic and want to revisit your childhood – or know kids who are into fantasy adventure – the out-of- print Blackstar DVD set is well worth hunting down and picking up.

Blackstar (1980-81) was probably the last Filmation cartoon I remember actually getting up early to watch. I was into D&D then, and anything with a sword & sorcery theme caught my interest. Unfortunately, if I recall correctly, it aired in the same timeslot as Ruby-Spears' superior Thundarr The Barbarian on another network, so unless Thundarr was a repeat, I usually opted for the post-Apocalyptic barbarian over the sword-slinging astronaut, John Blackstar.Loosely inspired by interplanetary romances like Edgar Rice Burroughs’ "John Carter of Mars" pulp stories, Blackstar tells of an American astronaut, who, after passing through a black hole, finds himself stranded on the primitive planet Sagar. The planet is ruled by the evil, Darth Vader-esque Overlord, and opposed by a motley band of freedom fighters, including the sorceress Mara, shape-shifter Klone, and seven pink "trobbits" (according to producer Lou Schiemer, the name was derived from "tree hobbits.) that, with their easily-distinguishable personalities, somewhat resemble Snow White's dwarfs - or pink smurfs. John Blackstar somehow comes into possession of the Starsword (an adventure never related on the series), a mystic blade that can be combined with the Overlord’s Powersword to become the Powerstar – an ultimate weapon that the Overlord desperately covets.
Watching it today as a 40+ adult, I find that Blackstar is actually somewhat better than I remembered. The animation still looks pretty slick and, oddly enough for a Filmation adventure show, uses very little, if any, rotoscoping. The character designs and background paintings are excellent, really selling the alien environment of planet Sagar. The scripts – mostly by animation and sci-fi veterans J. Michael Reeves (Batman - the Animated Series) and Marc Scott Zicree (Sliders) – are fun and fast paced. I still hate the little pink "trobbits," though, and prefer the episodes that play down their child-friendly antics.
My favorite episode is probably "Shipwrecked," written by Reaves, where Blackstar's old fiancee - also an astronaut - follows his ship's trajectory through the black hole to Sagar. Of course, she's captured by the Overlord, who wants her starship's technology. She is rescued by - and reunited with - Blackstar, but is ultimately forced to leave Sagar without him. The best part, though, is that when she emerges from the black hole to her own side of the galaxy, she contacts Earth command and sets them to work preparing an invasion fleet! She wants to go back to Sagar in force and bring her fiance back! Unfortunately, that intriguing plot thread is never revisited during the remainder of the series.
A few years back, before BCI/Eclipse went wherever it is defunct video labels go, they released the complete series on DVD. The full-frame transfers are excellent; the source material on Blackstar looks much better than the prints used on their previous Flash Gordon set, with bright colors and virtually no visible debris or damage. Extras include an informative booklet of liner notes, writer and producer commentaries on two episodes, on-screen interviews with many of the creators of the show, two image galleries, and "The Magic of Filmation" documentary.In the interviews Scheimer reveals that the character was originally intended to be an African-American (hence, the none-too-subtle name), but the network rejected that idea. In their interviews, head writers Zicree and Reaves acknowledge the show's pulp sci-fi influences and look back fondly on their experiences working on the program.
If you're nostalgic and want to revisit your childhood – or know kids who are into fantasy adventure – the out-of- print Blackstar DVD set is well worth hunting down and picking up.
Sunday, May 22, 2011
STAR TREK Animated PSA
This is a genuine YouTube rarity: a Star Trek public service announcement produced by Filmation Studios for the Keep America Beautiful anti-pollution campaign, from the early 1970s. Featuring the voices of William Shatner, Leonard Nimoy and George Takei.
I remember seeing this when I was a kid!
Friday, March 25, 2011
STAR TREK ANIMATED SERIES (1973) Home Video Artwork
This art - by an unknown (but vaguely familiar) artist - graced the VHS packaging for Paramount Home Video's releases of Filmation's Star Trek - The Animated Series during the late 80s-early 90s.
It doesn't look like anything actually created at Filmation in the 70s; it's a bit too dynamic to have come out of that studio, and the Enterprise appears to be based on the feature film version of the NCC-1701, rather than the cartoon version. Also, what's with the pirate boots?
I'm guessing that it was probably something commissioned specifically for the VHS releases by Paramount. In any case, I think it's a great piece of Trek artwork! Colorful, exciting and really capturing the Star Trek feel.
It doesn't look like anything actually created at Filmation in the 70s; it's a bit too dynamic to have come out of that studio, and the Enterprise appears to be based on the feature film version of the NCC-1701, rather than the cartoon version. Also, what's with the pirate boots?
I'm guessing that it was probably something commissioned specifically for the VHS releases by Paramount. In any case, I think it's a great piece of Trek artwork! Colorful, exciting and really capturing the Star Trek feel.
Monday, March 21, 2011
News: VALLEY OF THE DINOSAURS (1974) on DVD This Week

The science fiction/adventure cartoon, which aired on CBS from September 7, 1974 to September 4, 1976, chronicled the adventures of the Butler family - father John, his wife Kim, children Katie & Greg, and dog, Digger - who (like the Marshalls on Land of the Lost, which began the same year on rival network NBC) experienced an unusual whitewater rafting trip that left them trapped in a lost world populated by prehistoric reptiles and proto-humans. They befriended the English-speaking caveman Gorak and his family, and together they struggled to survive in the dangerous valley while continually searching for a way back to their own world.
The show was popular enough to spawn some limited merchandise and a short-lived Charlton comic book series, but even as a sci-fi/dinosaur-loving kid, I found it pretty mundane compared to the wildly imaginative universe of its live-action, Sid & Marty Krofft rival, Land Of The Lost.
Here's a link to Warner Archive's Hanna-Barbara "Store;" Valley of the Dinosaurs isn't listed yet, but there's a lot of other 70s Saturday morning favorites there.
Wednesday, September 1, 2010
STAR BLAZERS (1979)
Back in 1979, when I was in my Freshman year of High School, I would impatiently ride the bus home every weekday (that I didn't have detention), and rush to my bedroom, where I'd turn on a little portable television with a seven or eight-inch black & white screen, and fiddle with the antenna hoping to somehow snag the elusive broadcast signal from Bangor's WVII: Channel 7, so I could watch the latest episode of the seminal anime series, Star Blazers. Our rooftop aerial could never receive the signal, but sometimes, when atmospheric conditions were just right, that little portable could... although never very well.
The Americanized version of the Japanese serial Space Cruiser Yamato, was my first exposure to anime, and I was completely engrossed in its characters and epic storylines - whether it was the Star Force's quest for far Iskandar and the Cosmo DNA or the battle against the Comet Empire. I was well and truly hooked, and on the days when I couldn't get it to come in, I was despondent.
Later, when I was at art school in the early 80s, I was exposed to stuff like Voltron and Battle of the Planets, and while I kinda dug the big robot guy, neither appealed to me like Star Blazers.
Anyway, I just rented the first volume of the first season Star Blazers DVDs from Netflix, and watched the first five episodes straight through. The animation's not quite as good as I remembered, and the dialogue is far more goofy than I recalled, but... I think I'm hooked again. It doesn't hurt finally being able to see them on a properly-sized TV screen, and in color, to boot...!
Tuesday, March 30, 2010
BLACKSTAR (1980)

Blackstar (1980-81) was probably the last Filmation cartoon I remember actually getting up early to watch. I was into D&D then, and anything with a sword & sorcery theme caught my interest. Unfortunately, if I recall correctly, it aired in the same timeslot as Ruby-Spears' superior Thundarr The Barbarian on another network, so unless Thundarr was a repeat, I usually opted for the post-Apocalyptic barbarian over the sword-slinging astronaut, John Blackstar.
Loosely inspired by interplanetary romances like Edgar Rice Burroughs’ "John Carter of Mars" pulp stories, Blackstar tells of an American astronaut, who, after passing through a black hole, finds himself stranded on the primitive planet Sagar. The planet is ruled by the evil, Darth Vader-esque Overlord, and opposed by a motley band of freedom fighters, including the sorceress Mara, shape-shifter Klone, and seven pink "trobbits." John Blackstar somehow comes into possession of the Starsword (an adventure never related on the series), a mystic blade that can be combined with the Overlord’s Powersword to become the Powerstar – an ultimate weapon that the Overlord desperately covets.
Watching it today as a 40+ adult, I find that Blackstar is actually somewhat better than I remembered. The animation still looks pretty slick and, oddly enough for a Filmation adventure show, uses very little, if any, rotoscoping. The character designs and background paintings are excellent, really selling the alien environment of planet Sagar. The scripts – mostly by animation and sci-fi veterans J. Michael Reeves (Batman - the Animated Series) and Marc Scott Zicree (Sliders) – are fun and fast paced. I still hate the little pink "trobbits," though, and prefer the episodes that play down their child-friendly antics.My favorite episode is probably "Shipwrecked," written by Reaves, where Blackstar's old fiancee - also an astronaut - follows his ship's trajectory through the black hole to Sagar. Of course, she's captured by the Overlord, who wants her starship's technology. She is rescued by - and reunited with - Blackstar, but is ultimately forced to leave Sagar without him. The best part, though, is that when she emerges from the black hole to her own side of the galaxy, she contacts Earth command and sets them to work preparing an invasion fleet! She wants to go back to Sagar in force and bring her fiance back! Unfortunately, that intriguing plot thread is never revisited during the remainder of the series.
A few years back, before BCI/Eclipse went wherever it is defunct video labels go, they released the complete series on DVD. The full-frame transfers are excellent; the source material on Blackstar looks much better than the prints used on their previous Flash Gordon set, with bright colors and virtually no visible debris or damage. Extras include an informative booklet of liner notes, writer and producer commentaries on two episodes, on-screen interviews with many of the creators of the show, two image galleries, and "The Magic of Filmation" documentary.If you're nostalgic and want to revisit your childhood – or know kids who are into fantasy adventure – Blackstar is well worth hunting down and picking up.
Tuesday, January 12, 2010
FLASH GORDON (1979)
The success of Star Wars in 1977, along with George Lucas’ admitted indebtedness to 30’s serials and comic strips, inevitably led to other entrepreneurial filmmakers turning to those Depression-era sci-fi classics and characters, and reimagining them (though that noxious term hadn’t been invented yet) for the 1970s. Among these was another Filmation Saturday morning favorite, the animated Flash Gordon series from 1979-80.
When the rogue planet Mongo enters our solar system on a collision course for Earth, scientific genius Dr. Hans Zarkov, athlete Flash Gordon, and his girlfriend Dale Arden blast off in a rocketship of the doctor’s invention, hoping to find a way to turn the alien planet from its course. Crash landing on its surface, they find Mongo inhabited by a vast array of sentient creatures, all under the rule of the tyrannical Ming the Merciless. It soon becomes clear to the Earthmen (and Earthwoman) that the only hope of saving Earth lies in uniting the distrustful, ever-warring races of Mongo against the sinister space tyrant.
I have to say, that in my book, this show (first season only) is right up there with Jonny Quest, Thundarr the Barbarian and Batman the Animated Series among the great animated adventure shows. By Filmation standards, the animation is rather lush, with lots of rotoscoping and elaborate backgrounds and character designs. Being a limited-budget, limited-animation product of the Seventies, there’s the usual relentless recycling of footage and repetitive music cues, but it is executed with a level of care and ingenuity that is rare in cartoon shows of this vintage.
In the first season episodes, the writing is not dumbed down for kids and follows the continuity of the original Alex Raymond comic strips quite faithfully. Characters are actually killed (disintegrated) on-screen, and the female characters are designed to be blatantly sexy. Ming’s got his harem and King Vultan’s got dancing slave girls… there’s no way they would have been able to get away with that even a few years later in the 80s.
The first season is presented as an ongoing serial with cliffhangers, modeled after the classic Flash theatrical features from the 30s. The second season, however, is made up of 16 fifteen-minute segments that are, unfortunately, aimed squarely at extremely young children, with simpler, sillier stories and the addition to the cast of a pink baby dragon called Gremlin. The second season episodes are hardly worth watching, as the stories are too short to be very interesting and so much footage is recycled from Season 1 – and sloppily so, I might add – that the viewing experience is hollow.
Once again, BCI (under their Ink and Paint label) and animation expert Andy Mangels have put together a very nice DVD set. While the episodes definitely show their age, with a considerable amount of visible dirt and debris (inherent in this kind of animation) and somewhat faded colors, there are no noticeable digital artifacts or compression problems, and the audio is sharp and clear. The picture quality’s not perfect, but better than I expected after nearly 30 years.
There are some great extras included – a 20 minute documentary wherein Filmation head honcho Lou Scheimer and other studio staffers reminisce about the show and the TV feature that preceded it (production-wise; it had its sole airing after the series). There are character model sheets, some storyboards, the series bible and some scripts on DVD-ROM, and even the entire first episode of the 1980’s syndicated series Defenders of the Earth. This 80’s series (also released by BCI on DVD) also starred Flash Gordon, along with other characters owned by the Hearst Syndicate: The Phantom, Mandrake the Magician, his sidekick Lothar and their teenage children, all teaming up to battle Ming. The premise was okay, but looked and sounded like every other show that Marvel Productions made in the 80s: bland. Also inserted into the set are a fold out episode guide and two collectible art cards featuring beautiful illustrations by comic book artists Frank Cho and Gene Ha.
Unfortunately, the DVD set does not include the prime time TV movie that preceded the series, Flash Gordon: The Greatest Adventure of All. The feature-length movie was made by the same team, but was somewhat more adult in tone and story; whereas the TV series began with Flash and company landing on Mongo, the film begins in 1939 Warsaw under attack by the Nazis.
Flash escapes from the besieged city, and we follow him as he meets Dale (above) and Zarkov. Some animation from the feature was recycled and used in the subsequent Saturday morning series, but not nearly as much as people seem to think. The feature aired only once, a couple years after the series, and – inexcusably – has never been made available legally on home video, and that’s too bad, because it is a superior animated adventure.
Overall, I feel that the first season of the Filmation Flash Gordon is one of the best adaptations of the character to film (right up there with the Buster Crabbe serials of the Thirties), and one of the very best animated adventure series ever. But then, it’s pretty obvious from my other posts that I have an extremely strong bias toward the sci-fi efforts of the Filmation studio.
In 1980, Italian film mogul Dino deLaurentis released a live-action Flash Gordon feature film. I’m certain I’ll get around to writing about that movie soon.
When the rogue planet Mongo enters our solar system on a collision course for Earth, scientific genius Dr. Hans Zarkov, athlete Flash Gordon, and his girlfriend Dale Arden blast off in a rocketship of the doctor’s invention, hoping to find a way to turn the alien planet from its course. Crash landing on its surface, they find Mongo inhabited by a vast array of sentient creatures, all under the rule of the tyrannical Ming the Merciless. It soon becomes clear to the Earthmen (and Earthwoman) that the only hope of saving Earth lies in uniting the distrustful, ever-warring races of Mongo against the sinister space tyrant.
I have to say, that in my book, this show (first season only) is right up there with Jonny Quest, Thundarr the Barbarian and Batman the Animated Series among the great animated adventure shows. By Filmation standards, the animation is rather lush, with lots of rotoscoping and elaborate backgrounds and character designs. Being a limited-budget, limited-animation product of the Seventies, there’s the usual relentless recycling of footage and repetitive music cues, but it is executed with a level of care and ingenuity that is rare in cartoon shows of this vintage.
In the first season episodes, the writing is not dumbed down for kids and follows the continuity of the original Alex Raymond comic strips quite faithfully. Characters are actually killed (disintegrated) on-screen, and the female characters are designed to be blatantly sexy. Ming’s got his harem and King Vultan’s got dancing slave girls… there’s no way they would have been able to get away with that even a few years later in the 80s.
The first season is presented as an ongoing serial with cliffhangers, modeled after the classic Flash theatrical features from the 30s. The second season, however, is made up of 16 fifteen-minute segments that are, unfortunately, aimed squarely at extremely young children, with simpler, sillier stories and the addition to the cast of a pink baby dragon called Gremlin. The second season episodes are hardly worth watching, as the stories are too short to be very interesting and so much footage is recycled from Season 1 – and sloppily so, I might add – that the viewing experience is hollow.
Once again, BCI (under their Ink and Paint label) and animation expert Andy Mangels have put together a very nice DVD set. While the episodes definitely show their age, with a considerable amount of visible dirt and debris (inherent in this kind of animation) and somewhat faded colors, there are no noticeable digital artifacts or compression problems, and the audio is sharp and clear. The picture quality’s not perfect, but better than I expected after nearly 30 years.
There are some great extras included – a 20 minute documentary wherein Filmation head honcho Lou Scheimer and other studio staffers reminisce about the show and the TV feature that preceded it (production-wise; it had its sole airing after the series). There are character model sheets, some storyboards, the series bible and some scripts on DVD-ROM, and even the entire first episode of the 1980’s syndicated series Defenders of the Earth. This 80’s series (also released by BCI on DVD) also starred Flash Gordon, along with other characters owned by the Hearst Syndicate: The Phantom, Mandrake the Magician, his sidekick Lothar and their teenage children, all teaming up to battle Ming. The premise was okay, but looked and sounded like every other show that Marvel Productions made in the 80s: bland. Also inserted into the set are a fold out episode guide and two collectible art cards featuring beautiful illustrations by comic book artists Frank Cho and Gene Ha.
Unfortunately, the DVD set does not include the prime time TV movie that preceded the series, Flash Gordon: The Greatest Adventure of All. The feature-length movie was made by the same team, but was somewhat more adult in tone and story; whereas the TV series began with Flash and company landing on Mongo, the film begins in 1939 Warsaw under attack by the Nazis.
Flash escapes from the besieged city, and we follow him as he meets Dale (above) and Zarkov. Some animation from the feature was recycled and used in the subsequent Saturday morning series, but not nearly as much as people seem to think. The feature aired only once, a couple years after the series, and – inexcusably – has never been made available legally on home video, and that’s too bad, because it is a superior animated adventure.
Overall, I feel that the first season of the Filmation Flash Gordon is one of the best adaptations of the character to film (right up there with the Buster Crabbe serials of the Thirties), and one of the very best animated adventure series ever. But then, it’s pretty obvious from my other posts that I have an extremely strong bias toward the sci-fi efforts of the Filmation studio.
In 1980, Italian film mogul Dino deLaurentis released a live-action Flash Gordon feature film. I’m certain I’ll get around to writing about that movie soon.
Wednesday, November 18, 2009
STAR TREK (1973)
The new Star Trek movie came out on DVD and Blu-Ray yesterday, and that's cool, and all. I like it fine, but it's not the real Star Trek. Actually, to me, The Original Series really isn't, either. The 1973 Saturday morning cartoon version of Star Trek was probably the very first Trek I ever saw, and that's why it'll always be the real Trek for me. I was eight years old, and I don't believe I ever missed an episode.
Not only did this show spur a voracious appetite for more Star Trek (further fed by James Blish and Alan Dean Foster Trek prose adaptations in paperback, Gold Key comics and the Christmas gift of Bjo Trimble's Trek Concordance long before I ever saw the original live-action series), but it ignited a general fascination for spacebound science fiction and a life-long love of Filmation cartoons as well.
You know, I still really dig this theme music....
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