Showing posts with label FaveFive. Show all posts
Showing posts with label FaveFive. Show all posts

Friday, November 16, 2012

Fave Five: TOKEN EXTRATERRESTRIALS

Welcome back to "Fave Five" - a very irregularly-posted feature wherein your humble blogger counts down his own top five favorite whatevers from the Space: 1970 era; i.e. favorite spaceships, favorite captains, favorite novelizations, favorite cartoons, favorite Space Babes, etc. Most bloggers do Top Ten lists, but honestly folks, that just seems like way too much work!

This time out, I've picked my favorite "token aliens" of 70s sci-fi television. Ever since the ever-logical, half-human/half-Vulcan Mr. Spock strode onto the bridge of the U.S.S. Enterprise and became the breakout character of the original Star Trek, producers of outer space-set television adventure series (especially those trying to directly imitate Trek; I'm looking at you, Frieberger and Mantley), have often felt the need to include at least one extraterrestrial among the cast.

As a storytelling device, the token alien has multiple uses. For one, it gives the writers a mouthpiece to make observations on human behavior from the point-of-view of a friendly non-human (androids and robots work well in that capacity, too - but that's a different list), and second, since these characters are almost always given abilities and powers that poor Earthlings don't possess, they can also be useful plot devices when things get too tight for our heroes... thanks to a last-minute mind-meld or surprise metamorphosis.

NUMBER FIVE: Samantha
Jason Of Star Command
"I'll tell you this: your capturing me was a bad idea, and you'll regret it."

Discovered in suspended animation within a derelict spaceship by the titular Jason of Star Command, the amnesiac Samantha (Tamara Dobson) quickly became a valued partner-in-adventure for brash rogue Jason and his Star Command allies. With a variety of vaguely-defined powers, including superhuman strength and assorted psi abilities, the striking Samantha may have been unable to remember where she came from - all she recalled was that her people were conquered by the armies of arch-fiend, Dragos - but she soon made a home for herself aboard the Space Academy, and figured prominently in Dragos' final defeat.

I admired the strength of character that Dobson brought to the role, a mix of compassion and toughness reminiscent of her cinematic character Cleopatra Jones... but without the kung fu, Corvette and machine guns.

NUMBER FOUR: Ficus Pandorata
Quark
"There are no good or evil plants. There are only plants."

A member of the crew of a United Galaxy Sanitation Patrol cruiser under the command of Cmdr. Adam Quark, science officer Ficus Pandorata (Richard Kelton) was a Vegeton; although outwardly human-looking in every aspect, he was, in fact, a plant. Being a plant, he needed to monitor his moisture levels and reproduced asexually, by means of pollination. Always rational and logical, Ficus was frequently baffled by the actions of his human (and transmute, and clone) crew mates. Indeed, when the crew met their alternate universe evil twins, there was no discernible difference between Ficus and his other-dimensional duplicate.

Although a parody of Star Trek's Mr. Spock, Richard Kelton really made Ficus an interesting character in his (its?) own right, deftly deriving considerable humor from his unemotional character, and slyly skewering the self-delusions of his captain and crew mates.

NUMBER THREE: Maya
Space: 1999
"You mean, people killed people, just because they were different from each other? That's disgusting."

The last survivor of the doomed planet Psychon, possessing the power of "molecular transformation," the exotic Maya found a home - and camaraderie - with the human inhabitants of Moonbase Alpha as it soared aimlessly through the universe. I've always had mixed feelings about the shape-shifting Maya. On one hand, her introduction to the Space: 1999 universe by second-season producer Fred Frieberger was another obvious instance of the wholesale Trek-ifying of the franchise and a harbinger of the show's overall decline in quality. But, on the other, actress Catherine Schell imbued the otherwise-contrived character with such a warm, appealing personality and ingenious blend of confidence, sexuality, competence and vulnerability, that ultimately, she won me over.

Too bad they romantically paired up with the walking cliché that was Tony Verdeschi. I also never understood why an alien beauty from Psychon would have such a penchant for using her ability of "molecular transformation" to shape-shift into distinctly Terran creatures like lions....

NUMBER TWO: Hawk
Buck Rogers In The 25th Century
"I shall kill them all. All humans who cross my path. And I shall keep killing them, until they have killed me."

Native of the planet Throm, Hawk (Thom Christopher) is the last survivor of a colony of humanoids that evolved from birds (and originally migrated from Earth, according to Dr. Goodfellow, but his speculation is based on virtually no solid evidence whatsoever. Dr. Goodfellow is a very bad scientist, really.). After his tribe and mate are massacred by human renegades, Hawk swears vengeance upon the entire human race, vowing to kill every puny human who crosses his path. This rampage brings him into conflict with Captain Buck Rogers of the Earth starship Searcher.

Of course, brave Buck soon won the avian alien's respect and loyalty, and Hawk joined the Searcher crew. Although the addition of Hawk ended up taking too much screen time away from Erin Gray's Wilma Deering (and that's hard to forgive), the talented Christopher imbued his birdman (ludicrous as the concept might have been) with a strong sense of nobility and a bushido-like code of honor that really spoke to the teenaged me. Besides, that feather toupee looked cool.
 
NUMBER ONE: Spock
Star Trek
"Fascinating."

TV's original "token alien," and still the best. Star Trek's Commander Spock, dual Science Officer and First Officer of the Federation starship Enterprise, was a brilliant television creation, a perfect union of character and actor that became - and remains, more than four-and-a-half decades later - a universal pop culture icon. Half-human and half-alien, Leonard Nimoy's Spock was in perpetual internal conflict, a man struggling to reconcile his emotional human half with his Vulcan father's devotion to pure logic. That alone would make the character memorable, but he was also a brilliant scientist, a loyal friend & officer, and a slyly humorous conversationalist with a devastating wit (just ask Dr. McCoy!).

Literally volumes have been written about this character, his role on the show and his impact on society, and I certainly don't have any startlingly new observations to contribute. All I can say is that, well, Spock rules.

As always, these are my favorites. You may disagree with my choices and/or rankings. If so, feel free to share your favorites in the comments.

Tuesday, July 26, 2011

Fave Five: 70s SCI-FI SIDEARMS

Welcome to the first Space: 1970 "Fave Five" - wherein your humble blogger becomes even more self-indulgent (if that's even possible) and counts down his own top five favorite whatevers from the S:70 era; i.e. favorite spaceships, favorite captains, favorite novelizations, favorite cartoons, favorite Space Babes, etc. Most bloggers do Top Ten lists, but honestly folks, that just seemed like too much work!

This time out, I've picked my favorite sci-fi sidearms, taking into account the design of the weapon, how effective it appeared on the show, and, well, simply just how "cool" I think it is. With that, let's begin at...

NUMBER FIVE: Colonial Laser
Battlestar Galactica

The Colonial Laser is not an elegant weapon. It's large, bulky, heavy and intimidating. Its purpose is to blow Cylons apart in close combat, and it certainly seems very efficient at doing so. The actual prop seems to have some weight to it (unlike the clearly lightweight plastic blasters of Buck Rogers), and I very much like the fact that in the original series, there was no animated ray blast added in when our heroes fired their lasers, just a blinding (and practically-created) muzzle flash, accompanied by a very cool sound effect - and an appropriately explosive pyrotechnic charge where the weapon found its target. Unfortunately, when they made Galactica: 1980, they failed to keep it consistent and cartoon beams were used.

NUMBER FOUR: Sentry Laser
The Black Hole

I've always liked the production design of The Black Hole a great deal, and in particular, I've always thought that the Sentry robots' ray guns, with their unique, over-and-under barrels and sleek, black finish, were especially cool looking. Of course, I'm not a bonafide genius like Dr. Reinhardt, but if I were designing robots specifically for duty as security troops, I'd probably have their weapons built right into them instead of having them carry around pistols -- but then our heroes wouldn't have been able to appropriate the lasers for use in their escape from the Cygnus, would they?


NUMBER THREE: Han Solo's Blaster
Star Wars

Almost all of the "blasters" seen in the original Star Wars trilogy are very convincing weapons, and that's because almost all of the props used were built on the frames of real, Earthly handguns and rifles. The most famous of these energy blasters is no doubt the pistol carried by Captain Han Solo of the Millennium Falcon - a modified "Broomhandle" Mauser C96. Because it's a real metal gun underneath the scope and muzzle extension, it has a convincing heft, and Harrison Ford certainly handled it with aplomb.

NUMBER TWO: Sandman DS Gun
Logan's Run

Some fans call it the "flame gun" for it's unique jet-flame muzzle flash, but most fans call it by the name given to the Sandman sidearms in George Clayton Johnson and William F. Nolan's original Logan's Run novel: the DS (or Deep Sleep) Gun. Of course, the movie weapon doesn't really resemble the revolver-like firearm of the books, but is a decidedly cool sci-fi sidearm all its own. Its sleek silhouette and matte black finish make it particularly intimidating, and the practical effects used on the set to dramatize its firing are great. As with the Colonial Laser above, there were no ray beams added in optically, just a blue jet of flame that emitted from the front and sides of the muzzle, accompanied by an appropriate sound effect. Sweet.


NUMBER ONE: Moonbase Alpha Laser
Space: 1999

My favorite sci-fi sidearm of the 1970s though, has to be the Space: 1999 laser/stun gun. I love that the designers eschewed the standard pistol configuration, and appear to have used a staple gun as their inspiration. Compact, unique, and stylish, the inhabitants of Moonbase Alpha relied heavily on these weapons to defend themselves against a seemingly endless parade of malevolent aliens bent on their destruction. As the gun was only shown to have two settings  ("stun" and "kill," determined by a large thumb switch at the top of the weapon), I've occasionally wondered why it appears to have four barrels/emitters. But what the hell, it's a truly cool gun.

The only weapon that I wish I had been able to fit in was the Star Trek Type II phaser pistol, but ultimately, it didn't quite make the cut. Feel free to berate me for that decision - or any of my choices - in the comments.