Happy New Year!

Celebrate responsibly!

And I hope you'll join us here in the Seventies throughout the new year!

It's Fun To Read As You Hear!

For those of us who remember the Power Records comic book & 45 RPM record sets (and if you don't, go here or here), there was some cheesy charm - especially in those days before home video and the internet - to having new adventures of the Star Trek or Space: 1999 crews available at your fingertips. Sure, the voice actors didn't sound anything like the TV casts, and the stories were juvenile, but hey - it was the 70s. You took what you could get. And the artwork was pretty cool, too, if occasionally strangely inaccurate (Uhura as a blonde Caucasian?).

If you've never experienced the Power Records, um, experience, and you're not sure you want to download any MP3s or PDF files, someone on YouTube has approximated the joys of Power in video form.

So, here's the Power Records adaptation of Space: 1999's "Breakaway" in two parts. Nice art. Enjoy!

Part 1:

Part 2:

Space Babe: Persis Khambatta

Persis Khambatta as Ilia in Star Trek The Motion Picture. Thirty years ago this month, Gene Roddenberry's iconic science fiction television series made its highly-touted transition to feature film status, bringing along with it several new characters, including this exotic beauty from the "sexually advanced" planet Delta - navigator Lieutenant Ilia.

The former Miss India may not have been a particularly good actress, but she was striking woman who managed to make a shaved head look damned sexy. And she did appear in a few other genre films, including 1982's MegaForce and 83's Warrior of the Lost World.

Sadly, the lovely Khambatta passed away in 1998 from a heart attack at the too-young age of 49.

Happy Holidays!

Season's Greetings from R2-D2, C-3PO and all of us at Space: 1970. Regular posting will resume shortly.

Christmas In The Stars.

...From the Disco To The Outer Limits...

I was looking at some of my old Famous Monsters magazines this evening, and saw this ad. Man, when I was 15 I desperately wanted one of these jackets, but there was no way in hell I could have got my hands on the money to buy one. It's interesting, though, that the advertisement nowhere mentions the television show Battlestar Galactica, despite the artwork and the fact that the design is exactly like the jackets on the show. I wonder... was this an unauthorized product, maybe?

I love how the ad copy keeps repeating that the Warrior's Battle Jacket is suitable for wear to the local disco!

Did anyone ever actually buy one of these?

Coming Attractions: THE SHAPE OF THINGS TO COME (1979) TV Spot

That high-pitched whine you hear? That's poor Mister Wells, spinning.....

Space Babe: Maren Jensen

Maren Jensen as Battlestar Galactica's Lieutenant Athena. Personally, I was always disappointed that the producers of Galactica didn't do more with Commander Adama's gorgeous daughter. She should have been out flying reconnaissance missions alongside Apollo and Boomer, not stuck behind a computer console and playing Betty to Casseiopia's Veronica. And what the frak was wrong with Starbuck anyway? I mean Lauerette Spang was an attractive woman, I guess, but Maren Jensen was smokin' hot, with those smoldering eyes, exotic beauty and cascading dark hair!

A popular fashion model, the half-Hawaiian Jensen's acting career only lasted about three or four years, from 1978 through '81. Aside from Galactica, she also appeared on producer Glen Larson's The Hardy Boy/Nancy Drew Mysteries and in the Wes Craven horror film Deadly Blessing. Unfortunately, she was struck by illness in the early 80s and retired from show business. According to the IMDb, she eventually recovered, but never returned to performing.

When I was fifteen, I thought she was one of the most beautiful women I'd ever seen - and, you know, I still do.

PLANET OF DINOSAURS (1978)

Uber-low budget sci-fi schlock saved solely by some stunning stop-motion animated prehistoric beasts, Planet of Dinosaurs chronicles the adventures of a group of starship crash survivors on an uncharted world populated by, well, dinosaurs. As they struggle to survive on the hostile planet, they find themselves plagued by the attentions of a ferocious Tyrannosaurus Rex, and soon come to the conclusion that if they are to have any future at all, the savage carnosaur has to go.

The acting is terrible, about on par with porno films of the same vintage (seriously, these folks are horrible!) -I mean, c'mon, the only "name" in the cast is James Whitworth (The Hills Have Eyes)! - and the story is paper-thin. Even the locations - mostly Vasquez Rocks and its environs - are overly familiar from TV shows and B-Westerns. But the stop-motion effects are great, and many of the people who worked on them went on to bigger productions, like Jason of Star Command and The Empire Strikes Back.

Retromedia’s 30th Anniversary Edition (although it says "20th" on the DVD cover) presents the film in 1.85:1 anamorphic widescreen, sourced from both 16mm and 35mm elements. Some parts of the film show serious damage, while the rest looks great. There’s a commentary track with director James Shea and effects artists Doug Beswick and Steve Czerkas, as well as a couple of vintage TV spots and two silent stop-motion shorts by King Kong’s effects genius, Willlis O’Brien.

Like I said, it's not a good film. But I've also been pretty honest on this blog in admitting that I can put up with a lot of crap in order to enjoy well-crafted, handmade special effects. And the stop-motion sequences in this film - if not quite up to Ray Harryhausen or Jim Danforth standards - are very well done and very enjoyable. The animation models are nicely detailed and move believably, and the animators even throw in a few nice homages to previous stop-motion films. There's a monster in one scene that's a dead ringer for Harryhausen's "Rhedosaur" from The Beast From 20,000 Fathoms, for example.

In fact, much of the animation footage from this feature has been cannibalized over the years by other low budget filmmakers (like Retromedia's proprietor Fred Olen Ray, who's used shots from Planet in several of his B-movies, including The Phantom Empire and Wizards of the Demon Sword).

Ultimately, it's only worth hunting down if you're an obsessive fan of 70s sci-fi and stop-motion animation... and I'm both.

Into The Void...

Back at the beginning of November, I was feeling really down. And, as I tend to do when I'm in a funk, I was looking for a diversion, something that would take my mind off of my problems for a little while. And the diversion I chose were my DVDs of Space: 1999.

I've written about my ongoing love affair with 70s science fiction occasionally in my personal blog, and whenever I did, it usually garnered a few positive comments from other nostalgic individuals. It's a subject that's obviously near 'n dear to my heart and it occurred to me as I was rewatching Martin Landau and company's titanic struggles against a hostile universe that it might be fun to gather all my previous writings on the subject, along with some other observations about the genre, in one place. Earlier this year, I started a blog about one of my other pop culture obsessions - Sixties spy-fi - and enjoyed having a dedicated venue to write about the topic, so it seemed a good idea to start one about Seventies sci-fi, too.

Also, I was inspired, in part, by artist/comics blogger Rob Kelly, who maintains a bunch of comics and pop culture blogs of his own, including the great Aquaman Shrine, The Phantom Stranger blog, a Power Records blog and even a site devoted to M*A*S*H (among others!). In fact, it was his blog All in Black & White for 75 Cents that originally inspired my own crime comics blog (which I don't update nearly enough) a couple of years ago.

In any case, Rob manages to juggle all these sites and even refers to them as the "Rob Kelly Family of Blogs." With his unknowing inspiration (so don't blame him), I decided there was no reason for me not to start another blog, and so, I did (and thus was born the "Atomic Pulp Network" of blogs!).

Hence, Space: 1970. Not necessarily the greatest of titles, I admit, but as it was Gerry Anderson's TV epic that triggered the idea, it seemed appropriate and didn't require too much explanation. This blog started with a few posts recycled from my old DVD review columns and my personal blog, but I was pleased with the way the site turned out, and was soon knocking out some new, nostalgic posts.

I must have struck a celestial chord with someone - this blog has picked up readers faster than any of my other online efforts. Apparently you folks miss the days of unabashed, non-ironic interstellar adventures, with their robots, rayguns and square-jawed space cowboys, too.

So anyway, thanks for joining me on my nostalgia trip. I've got a lot more memories to explore and share, and I appreciate the company. And don't hesitate to share your own 70s sci-fi memories in the comments. To paraphrase the publicity material for Space: 1999 back in '76:

"The future was fantastic!"

Space Babe: Gabrielle Drake

Beautiful Gabrielle Drake as Lieutenant Gay Ellis on Gerry Anderson's UFO. She may have worn a purple wig and a silver miniskirt, but for the first third or so of the series, the sexy astronette commanded the SHADO moonbase, Earth's first line of defense against alien invaders bent on conquest (or at least human organ harvesting).

While the tone of the series was actually pretty grim, the style was pure, late Sixties' "mod," and nowhere was that more evident than in the outfits designed for SHADO's female staff. Sure, they were entrusted with the responsibility of a multi-billion dollar moonbase - not to mention the defense of all mankind - but form-fitting spacesuits and miniskirts were the uniform of the day.

Frankly, I'm not complaining. I even dig the wig.

BUCK ROGERS (1979) Theatrical Posters

In the Summer of 1979, Universal Pictures decided to take the expensive pilot film for NBC's upcoming Buck Rogers in the 25th Century television series and release it directly to movie theaters a couple of months before it was scheduled to debut on TV.

Of course, the Sunday afternoon that I somehow persuaded my mom to take my sister and me to the film (how I managed that, I can't recall; my mother very rarely took us to the theater when we were young, and I never got to choose the film when she did!), I had no way of knowing that it was made for television. All I knew is that I loved it, camp humor and all. I've also always really dug the main poster image - to me, it really captures everything I enjoy about this kind of space opera: rayguns, robots, starships, and scantily-clad space princesses.

I wish I knew the name of the artist. Anyone know?

Anyway, the image at the top is the "teaser" poster, while the one at the bottom is the British "quad." It's interesting (to me, anyway) that in the U.S., the theatrical version was simply titled Buck Rogers, while the UK version carried the longer, ...25th Century title of the subsequent television series.

Coming Attractions: BATTLE BEYOND THE STARS (1980) Trailer

Only 23 shopping days...

Don't worry - I won't be doing one of these posts every day until Christmas. I just wanted to share this Wishbook catalog page from 1976, featuring a bunch of cool Space: 1999 toys - including my beloved Eagle Transporter!

I really wish I'd been able to get the laser gun and comlock! (Click on the image for a larger view.)

JASON OF STAR COMMAND (1978-79)

The third and final of Filmation’s live-action Saturday morning sci-fi kid’s shows (and last live-action show, period) was Jason of Star Command. A more action-oriented spin-off of the studio’s Space Academy, cost-effectively recycling many of the same expensive sets and models, but eschewing the previous show’s "educational" stories in favor of Star Wars-styled space opera, Jason was serialized sci-fi in Flash Gordon/Buck Rogers tradition, complete with cliffhangers, cute robots, and flamboyant villains in sweeping capes.

The gleefully nonsensical adventures pitted the titular hero (Craig Littler, Superbeast), a Han Solo-esque soldier of fortune attached to Star Command (a nebulously-defined organization that apparently ran the Space Academy and used it as their base), against the evil, would-be ruler of the universe, Dragos (the wonderful Sid Haig, Galaxy of Terror, Spider Baby, The Devil’s Rejects). Other cast members included Jimmy Doohan (Scotty from Star Trek –TOS) as Jason’s commanding officer, exotic Tamara Dobson – Cleopatra Jones herself! – in a recurring role as a mysterious alien babe with psi powers, and cute Susan O’Hanlon (All My Children) as a perky Star Command junior officer. Other regulars included Charlie Dell as an absent-minded professor and John Russell as a blue-skinned, hard-nosed Commander.

As mentioned, Jason was intended as more of an action-adventure than its predecessor. Unfortunately, this being 70's network kid's TV, Jason couldn't punch, trip, shoot, or even give a mean look to anybody. "Action" existed primarily in the form of endless running up and down corridors, soaring and swooping model spacecraft, and clearly-identified unmanned "drone" ships blowing up.

Still, there were entertainingly goofy rubber-and-faux-fur alien monster suits by a young John Carl Buechler (Ghoulies, Cellar Dweller) and some decidedly cool, memorable stop-motion monsters from many of the animation wizards who’d worked on the film Planet of Dinosaurs.

In fact, as impressed as I was with the miniatures and effects on Space Academy, the FX work on Jason, by the same team, shows a marked improvement, both in conception and execution. The sheer quantity of and variety of shots is impressive. Pretty amazing, considering their limited resources. For fans of old school special effects (guilty!), these episodes are something of a treasure trove of pre-computerized FX work.

The first season ran as a series of 15-minute segments of the Tarzan & The Super Seven anthology show, but in its second season, it graduated to its own half-hour berth. BCI’s out-of-print three-disc DVD set (Also available as part of the Filmation Sci-Fi box) includes all the episodes from both seasons.

The full-frame transfers are on a par with the Space Academy discs, a little soft, but light-years better than the bootlegs that floated around the comic book conventions for years.

The DVD’s retrospective documentary includes on-screen interviews with Craig Littler and Sid Haig. They're both obviously fond of the show and seem to have had fun making it. Littler is now the Gorton’s Fisherman in TV commercials, while Haig continues to appear in horror films and other supporting roles. Three commentary tracks are included, featuring Littler, Haig, Filmation chief Lou Scheimer and various FX artists. There’s also a special effects demo reel, image galleries, original scripts and promos for BCI’s other Filmation discs.

Filmation president Lou Scheimer was clearly a science fiction fan, and thanks to him, sci-fi addicted kids of the 70s were able to enjoy futuristic fun every weekend for most of the decade. Along with the live-action shows, Filmation also brought to the screen animated versions of Star Trek and Flash Gordon, and original creations like Space Sentinels and Blackstar. Other studios dabbled in the genre, but Filmation seemed to have a real love for it, and I, for one, am grateful. Thanks, Lou!

Only 24 shopping days...

In the mid-70s, Star Trek was enjoying its second life as a syndicated phenomenon. Along with this new success in reruns, came a huge merchandising push aimed at kids who were too young to have seen the show the first time around.

Every holiday season, I - and many other kids of my generation - eagerly awaited the annual Christmas "Wishbook" catalogs from the major chain retailers. These catalogs were full of colorful photographs of all the new toys (and old favorites) that would be in stock for the season.

I can't even begin to tell you how many hours I spent pouring over those pages, dreaming of getting every single Mego Star Trek and Planet of the Apes action figure under the Christmas tree... not to mention the Enterprise bridge playset! (Never got that, sadly.)

(Click on the image for a larger view.)

SPACE: 1999 Comics by Cuti & Staton

The first two issues of Charlton Comics' Space: 1999 series, based on the 1976-77 syndicated television show, were drawn by my pal and collaborator, Joe Staton, and written by Nicola Cuti, who was on staff at the Derby, CT publisher - and was/is a tremendous fan of space opera.

The first issue featured an abbreviated adaptation of the show's pilot episode "Breakaway," called "Moonless Night." Cuti and Staton manage to strip down the TV episode to fit the comic book format while still maintaining the suspense and most important action. Issue #2 is an original story, "Survival," which actually foreshadows author Barry Longyear's "Enemy Mine" (the basis of the 1985 Dennis Quaid/Louis Gossett film), as it has Commander Koenig and a hostile alien both stranded on a barren planet where they are forced to work together - and trust each other - in order to survive. Cuti's scripts are fast-paced and the characters are pretty much in character. Staton's art is (as always) cartoony, but appealing. His Eagles are a bit too rounded for my tastes, but overall he does a good job of capturing the 1999 universe.

Both issues are graced with marvelous watercolor cover paintings by Staton. Issue #1 features very nice likenesses of Martin Landau and Barbara Bain, while #2 is an effective action shot set against a blazing, red alien sky.

I'm pretty sure that Space: 1999 was the comic that made me a Staton fan, even though he only provided the art on the first two issues. John Byrne took over after that. At twelve, I was a huge fan of the show (still am) and I read and re-read my original copies of these issues until they fell apart. I think that helped me recognize Joe's name and style, so that when I discovered his work on E-Man (also in partnership with Cuti) and the 70's Justice Society and Green Lantern books from DC, I knew who he was.

Charlton's comic book of Space: 1999 ran a total of seven issues. I'll cover the later, John Byrne issues and it's black & white companion magazine (8 issues) in future posts.

Space Babe: Linda Harrison

Linda Harrison as the lovely Nova in the first two Planet of the Apes films. Though technically not a "Space Babe," she's definitely one of the few things in the Apes future worth living and fighting for.

I spent all day on Friday watching the five original Apes theatrical features and was once again struck by Miss Harrison's natural beauty and mute charisma. She may have got the part because she was producer Richard Zanuck's girlfriend (and later, wife), but she filled the role of the future's most lovely savage quite capably in both The Planet of the Apes and its immediate sequel, Beneath the Planet of the Apes.

Happy Life Day! (More or Less)

"If I had the time and a sledgehammer, I would track down every copy of that show and smash it."

- George Lucas

UFO (1970) Movie Poster Art

As with Battlestar Galactica and other science fiction shows, the home video boom of the Eighties led to various TV episodes being repackaged and distributed on VHS and syndicated to independent television stations as feature films. Gerry Anderson's groundbreaking live-action sci-fi series UFO was among those programs; in 1980 two episodes were edited together and released as Invasion: UFO. The art above was created for that release.

Earlier than that, though, in the 70s, several compilation features were derived from the series and released in Italy. The art above was used to promote one of these movies, UFO Prendeteli Vivi.

I don't know who the artists were who painted these illustrations, but as a fan of the series, it's fun seeing this artwork

STAR WARS HOLIDAY SPECIAL (1978)

Although Star Wars was a HUGE part of my childhood fascination with space opera and science fiction adventure, I probably won't be posting a lot about it. The one thing the internet has more of than porn is Star Wars. Besides, these days, the Star Wars universe is vast, with hundreds - maybe thousands - of books, comics, video games, etc. I long ago lost any ability or interest in trying to keep up with all.

Still, back in the day, there wasn't a lot of new Star Wars stuff to enjoy if you were one of those first-generation fans - there were the Marvel comic books, Kenner toys, and Splinter of the Mind's Eye by Alan Dean Foster. And before that - the legendary (and now officially disavowed) Star Wars Holiday Special.

A two-hour mix of wookiee domesticity, odd comedy sketches, strange musical numbers and stock footage, the Holiday Special aired on CBS television on November 17, 1978. Still, it was new Star Wars, and extremely exciting at the time.

It was, to be honest, pretty awful. But one bright spot in the otherwise ill-conceived television spectacular (well, aside from Carrie Fisher's off-key singing) was this 9-minute animated adventure from Canada's Nelvana Studio (Rock And Rule). With bizarre-yet-appealing character designs, wonky animation, the original cast providing voices, and the first-ever appearance of bounty hunter Boba Fett, the cartoon is an offbeat gem.

Enjoy.

ARK II (1976)

Even as a kid, I thought that Ark II was a surprisingly bleak and grim premise for a Saturday morning children’s television series.

Set in the 25th Century, after the world has been devastated by pollution and war, three multi-cultural young scientists (Terry Lester, Jean Marie Hon, and Jose Flores) and their talking chimp, Adam, roam the post-Apocalyptic wasteland in a super-advanced RV, bringing the benefits of science and good morals to the primitive remnants of humanity. That’s right – it’s Damnation Alley for adolescents!

Surprisingly, the show holds up pretty well. Despite the low budget, the production values are quite good, and the Ark and its accessories are pretty impressive gadgets, even today. Probably the most impressive gadget – besides the Ark itself – was a genuine Bell jetpack. Filmation secured the services of a jet-pack and pilot for an afternoon, dressed the guy up like Terry Lester, and shot as much footage of him zooming around as possible, footage they later reused repeatedly throughout the series. Still – it was cool and undeniably real, instead of an unconvincing bluescreen or rear-projection effect.

Shot on location at the old Fox Ranch, the producers managed to evoke a fairly convincing post-Apocalyptic world, even using some decrepit sets left over from the original Planet Of the Apes features! And, as I mentioned in my Space Academy review, Bill Malone’s Robby the Robot guest starred in an episode, which is always a plus for me. The earnest young cast manages to play their underwritten roles with conviction, and, thankfully, the chatty chimpanzee (voiced by frugal Filmation head Lou Schiemer) is never all that annoying.

Scripts range from quite good to insultingly bad, but are usually somewhere in the middle, and despite the grim setting, the stories all offer hope and a solid moral lesson. Fortunately, these "lessons" are not quite as heavy handed as in later Filmation shows, and are delivered without the usual sledgehammer tactics. Guest stars include Jonathan Harris, Malachi Throne, Geoffrey Lewis, Jim Backus and a teenaged Helen Hunt.

Like the other Filmation live-action sci-fi kidvid series Space Academy and Jason of Star Command, Ark II was released a few years ago on DVD by BCI. That original set is out of print – and BCI is out of business – but just before the company closed shop, it released all three series in one box set. Both editions are still available if you look around for them.

The Ark II set contains all 15 episodes on 4 discs. Unfortunately, the transfers are not very impressive. Presented in their original full-screen TV aspect ratio, the source material, originally shot on inexpensive 16mm film stock, is faded and grainy, although relatively free of damage or debris. Still, considering that the show is nearly 30 years old, and was probably shot on a budget of $100 bucks an episode, we’re probably lucky the episodes look as good as they do.

As with the company’s other Filmation releases, Ark II – The Complete Series comes with an bunch of bonus features, including audio commentaries on two episodes, a full-length "Making Of" documentary, several photo and art galleries, and all 15 scripts, plus the series bible, on DVD-ROM.

Ultimately, Ark II is good kid’s show with a still-timely environmental message and a relatively decent example of 70’s TV sci-fi, and I really enjoyed watching these episodes again. If it’s a fond memory from your childhood, you may want to pick it up, despite the less-than-reference-quality transfers.

Space Babe: Dorothy Stratten

Dorothy Stratten as the titular character from Galaxina. Since I wrote about the sci-fi spoof earlier this week, it seemed appropriate to spotlight its late star, the lovely Dorothy Stratten, as this week's "Space Babe." In addition to her role in the 1980 film, she also appeared on an episode of Buck Rogers in the 25th Century as a futuristic beauty queen.

Stratten was Playboy magazine's "Playmate of the Year" for 1980, and was just starting a career as a film actress when she was tragically murdered by her estranged husband shortly before the release of Galaxina. The story of her life and death was actually filmed twice, once as a TV movie starring Jamie Lee Curtis, and as a theatrical film starring Muriel Hemingway.

Dorothy Stratten Tribute site.

Frazetta's BATTLESTAR GALACTICA (1978)

Back in 1978, someone at either Universal or ABC actually had the smart idea of commissioning renowned fantasy illustrator Frank Frazetta to paint three pieces to be used in promoting their expensive new science fantasy epic, Battlestar Galactica. These three paintings were used as the basis for TV Guide ads promoting the first three episodes ("Saga of A Star World," "Lost Planet of the Gods, Part 1," and "Lost Planet of the Gods, Part 2."), although they were subsequently used on book covers, etc.

What I love about these pieces - even beyond the fact that they exist at all - is how Frazetta interpreted the universe of Galactica through his own sensibilities and style. Clearly, very little in these paintings accurately reflect the cast or production design of the actual series, yet, to me anyway, they capture the epic scale that Glen Larson and his crew were trying so hard to accomplish on their television budget.

STAR TREK (1973)

The new Star Trek movie came out on DVD and Blu-Ray yesterday, and that's cool, and all. I like it fine, but it's not the real Star Trek. Actually, to me, The Original Series really isn't, either. The 1973 Saturday morning cartoon version of Star Trek was probably the very first Trek I ever saw, and that's why it'll always be the real Trek for me. I was eight years old, and I don't believe I ever missed an episode.

Not only did this show spur a voracious appetite for more Star Trek (further fed by James Blish and Alan Dean Foster Trek prose adaptations in paperback, Gold Key comics and the Christmas gift of Bjo Trimble's Trek Concordance long before I ever saw the original live-action series), but it ignited a general fascination for spacebound science fiction and a life-long love of Filmation cartoons as well.

You know, I still really dig this theme music....

GALAXINA (1980)

I first read about the movie Galaxina – as with many others – in Starlog magazine when I was a teen, and ended up waiting 26 years to actually see it. The movie is known (by those who know of it at all) as being one of the very few film vehicles for actress Dorothy R. Stratten, the lovely Playboy Playmate and Bogdanovich protégé who was murdered by her husband shortly before the movie was released.

Unfortunately, Galaxina is terrible (even by my arguably undemanding standards); a remarkably unfunny comedy from William Sachs, the director of The Incredible Melting Man (another movie I only know about from old Starlogs) and good old Crown International Pictures.

Stratten portrays the title character, the shapely android pilot of the intergalactic police cruiser Infinity. While she’s both beautiful and competent at her job, the rest of the crew are neither. Captain Cornelius Butt (former Doritos pitchman Avery Schreiber, Caveman) is an idiot, and his officers Thor (Stephan Macht, The Monster Squad) and Buzz (J.D. Hinton) are almost as bad. But Galaxina and Thor nonetheless have feelings for one another, feelings they cannot act upon, because physical contact causes the android to short circuit. After a visit to an alien brothel, the crew of the Infinity is assigned to find a magical artifact, the Blue Star, and keep it out of the hands of the resident Darth Vader clone.

While there’s some potential in here, it’s almost completely squandered by director Sachs, who has no apparent sense of comedy timing whatsoever. The production values are low, the characters and humor are crude, the gags are cliché, and while Stratten is undeniably beautiful to look at, her role as a robot seems to stretch her limited emoting abilities. There are a couple of decent alien designs by Chris Walas (in particular, the "Rock Biter"), some of the spaceship sets are kinda cool, and there are a few jokes that almost work, but overall, the film remains notable only for its association with its tragic leading lady.

BCI’s classy 25th Anniversary Special Edition DVD from a few years ago treats the film like a comedy masterpiece, however, with a sharp, clean 2.35:1 anamorphic widescreen transfer. There’s also a boatload of bonus features. There’s a commentary track by director Sachs and actor Stephen Macht (God love ‘em, they actually think this movie is funny!), another audio interview with Sachs, additional footage from the international version, the theatrical trailer, and four still galleries. DVD ROM features include the original script and shooting script, as well as pdf reprints of the above-mentioned Starlog articles. Finally, there’s a 6-page booklet with stills and a biography of Stratten.

Once again, we’ve got a bad movie in a fantastic DVD package. Recommended only for people interested in the late Dorothy Stratten… or fans of Avery Schreiber. If there are any.

• TRIVIA: Dorothy Stratten also appeared in the "Cruise Ship to the Stars" episode of Buck Rogers in the 25th Century the year before as "Miss Cosmos, the most genetically perfect woman in the universe."

Check out this 1980 Galaxina TV Spot: