The 1979
Charles Band production,
The Day Time Ended, isn't so much a movie as it is a showreel for some of the era's most talented special effects artist. There's no plot to speak of; there's just a series of disconnected events, each designed to showcase one special effects technique or another.
The story, such as it is, is this: a family moves into its new, isolated desert home on the same day that astronomers witness an unprecedented triple supernova some 200 light years away from Earth. Somehow - it's never really explained adequately - they find themselves in the center of a violent space-time "vortex" and besieged by UFOs, strange (stop-motion) creatures, menacing machines, and a wide variety of glowing lights. It's basically
Poltergeist with a sci-fi rather than supernatural basis, but far less narratively coherent.
The cast, led by Hollywood veterans
Jim Davis (
Dallas) and
Dorothy Malone, gamely give it their best, but since most of the time they're reacting to effects that will be created in post, thta's not saying too much. The direction by
John "Bud" Cardos (
Kingdom Of The Spiders, The Dark) is likewise workmanlike, but one gets the sense that nobody involved - neither cast nor crew - quite knew what the story was supposed to be about.
The movie's saving grace is the aforementioned special effects, a virtual buffet of pre-digital cinematic illusions by some of the best freelance FX guys of the era. There's some terrific stop-motion creatures designed by
Lyle Conway and animated by
David Allen and
Randy Cook; lots of optical rays and zipping ghost lights by
Peter Kuran and crew; and some gorgeous matte paintings by
Jim Danforth.
As a fan of Old School analog effects work, I
do enjoy
The Day Time Ended (a title nearly as nonsensical as its story - it was shot under the name
Vortex, which is at least a little more apt), but every time I see it, I can't help but shake my head at the non-sequitur-riddled script. It's a weird one, that's for sure.
The movie was released to theaters in 1979, and subsequently made its way to VHS under several labels over the next couple of decades. I own it on the laserdisc issued in the mid-90s, which sports a decent, if pan & scan, 4x3 full-frame image. I understand that it is also available on a DVD of somewhat questionable provenance. (If you have a Roku or other streaming device, it is also available for free on the
Threshold online movie channel, though their presentation looks like it's straight from the VHS.)
