Saturday, April 23, 2011


The most popular science fiction adventure series on 1970s television was The Six Million Dollar Man starring Lee Majors as American astronaut Steve Austin, who, after a disastrous test flight, found his legs, right arm and left eye replaced with "bionic" (cybernetic) parts. For five seasons, the heroic cyborg fought the nation's enemies as a secret agent.

In the series' second year, audiences were introduced to his childhood sweetheart, Jaime Sommers (Lindsay Wagner) a professional tennis player. Of course, being the hero's girlfriend rarely works out well, and she suffered her own tragic accident while skydiving. Steve Austin was able to persuade his government boss, Oscar Goldman (Richard Anderson) to provide Jaime with her own mechanical parts, and thus was born The Bionic Woman (1976-78).

The character was killed off at the end of that first The Six Million Dollar Man two-parter - can't have your hero tied down, you know - but, much to the network's surprise, public outcry to the death of Jaime Sommers was immediate and unprecedented. Wagner, an exceptionally fine actress, had been so appealing in the role that viewers - especially young ones - were deeply upset by the character's fate, so plans were made to revive the character.

The return of the character (through some clever techno-double-talk by writer Kenneth Johnson) was a ratings phenomenon, so the network immediately demanded that Jaime Sommers get her own spin-off series. The series ran for three years - on two networks - and the first 13-episode season was released by Universal on DVD in October.

The series, which had Jaime Sommers working as a schoolteacher on an Air Force Base and going on missions for the Office of Scientific Intelligence (OSI) on the weekends, was a better-than average 70s adventure show, with an extremely likable and human heroine, portrayed with humor and intelligence. The stories themselves varied in quality, but Wagner always brought her game to every episode, making even the most absurd situations palatable. She took her orders from Steve Austin's boss, Oscar Goldman, which meant that actor Richard Anderson pulled double duty as a regular on two weekly series simultaneously. Lee Majors also showed up in cameos fairly often during the early episodes, maintaining another clear link to the parent show.

The production values were up to Universal TV's usual slick, professional standards, and the first season was graced with a number of well-known guest stars like Andy Griffith, Donald O' Connor, Kristy McNicholl, Tippi Hedren, Forrest Tucker and Terry Kiser.

Universal's 4-disc DVD set includes all 13 episodes from the series first year of The Bionic Woman, as well as the five The Six Million Dollar Man episodes that introduced the character, in proper chronological sequence. The 1.33:1 "full frame" transfers are remarkably sharp and free of evident wear or damage. The 2.0 audio is clear. Bonus features include the aforementioned Man episodes, a photo gallery, a vintage gag reel, commentaries on a handful of episodes by writer/producer/creator Kenneth Johnson and others, and a retrospective documentary featuring on-camera interviews with many of the show's principals, including Lindsay Wagner, Richard Anderson and Johnson.

(The Six Million Dollar Man has also been released on DVD in a pricey "complete series" package available exclusively online from Time-Life Home Video.)

If you grew up in the 70s thrilling to the adventures of the bionic duo, this DVD set from Universal is highly recommended. The show holds up surprisingly well, and Wagner really makes those distinctively 70s fashions work. The stories vary in quality, but the character remains a strong, smart, funny, positive role model, and it's no wonder that everyone loved her. The Second Season is scheduled to be released next month, and is available for pre-order online. Here are links to both seasons at

 The Bionic Woman: Season One

The Bionic Woman: Season Two


  1. Surprised that Lindsay hasn't made an appearance as a Space Babe.

  2. One of the things that impresses me about this series is that how the character of Jaime Sommers was allowed to keep her dignity and act as a good role model. “The Bionic Woman” started airing right at the birth of the “jiggle TV” phenomenon -- shows like “Charlie's Angels” and “Three's Company” were presenting women as sexy objects much more blatantly than before, but the producers of “The Bionic Woman” were able to keep Jaime above that. Yes, there were a few episodes where they had to pander (Jaime as a female wrestler, Jaime as a belly dancer), but not nearly as much as they could have. (“Jaime, we need you to go undercover as a mud-wrestling French maid stripper again.”)

    Fortunately, Jaime Sommers was allowed to act as an intelligent, capable person and not just as “Steve Austin with cleavage.” She was smart and compassionate, an outsider in the dangerous world of espionage -- a miracle of science determined not to lose her humanity. It made for a distinct character, and some very fond memories of a unique TV show.

  3. I'll always remember the toy commercials too -- especially the Fembot doll. It was the Bionic Woman equivalent of the great Masketron villain from the Six Million Dollar Man line. I loved these shows as a kid, because it let my sister and I play something together (with action figures and role playing outdoors).

  4. Lindsay Wagner's Jaime Sommers was one of my boyhood crushes in the'70s.